: Enoch Soames: A Memory of the Eighteen-Nineties by Beerbohm Max Sir - Short stories; Character sketches

@FreeBooks

Posted in: #FreeBooks #FreeBooksIndia #FreeBooksApp #gg

Vote Up Vote Down   0 Reactions

Login to give Reaction!

Enoch Soames

A Memory of the Eighteen-nineties

MAX BEERBOHM

When a book about the literature of the eighteen-nineties was given by Mr. Holbrook Jackson to the world, I looked eagerly in the index for Soames, Enoch. It was as I feared: he was not there. But everybody else was. Many writers whom I had quite forgotten, or remembered but faintly, lived again for me, they and their work, in Mr. Holbrook Jackson's pages. The book was as thorough as it was brilliantly written. And thus the omission found by me was an all the deadlier record of poor Soames's failure to impress himself on his decade.

I dare say I am the only person who noticed the omission. Soames had failed so piteously as all that! Nor is there a counterpoise in the thought that if he had had some measure of success he might have passed, like those others, out of my mind, to return only at the historian's beck. It is true that had his gifts, such as they were, been acknowledged in his lifetime, he would never have made the bargain I saw him make--that strange bargain whose results have kept him always in the foreground of my memory. But it is from those very results that the full piteousness of him glares out.

Not my compassion, however, impels me to write of him. For his sake, poor fellow, I should be inclined to keep my pen out of the ink. It is ill to deride the dead. And how can I write about Enoch Soames without making him ridiculous? Or, rather, how am I to hush up the horrid fact that he WAS ridiculous? I shall not be able to do that. Yet, sooner or later, write about him I must. You will see in due course that I have no option. And I may as well get the thing done now.

In the summer term of '93 a bolt from the blue flashed down on Oxford. It drove deep; it hurtlingly embedded itself in the soil. Dons and undergraduates stood around, rather pale, discussing nothing but it. Whence came it, this meteorite? From Paris. Its name? Will Rothenstein. Its aim? To do a series of twenty-four portraits in lithograph. These were to be published from the Bodley Head, London. The matter was urgent. Already the warden of A, and the master of B, and the Regius Professor of C had meekly "sat." Dignified and doddering old men who had never consented to sit to any one could not withstand this dynamic little stranger. He did not sue; he invited: he did not invite; he commanded. He was twenty-one years old. He wore spectacles that flashed more than any other pair ever seen. He was a wit. He was brimful of ideas. He knew Whistler. He knew Daudet and the Goncourts. He knew every one in Paris. He knew them all by heart. He was Paris in Oxford. It was whispered that, so soon as he had polished off his selection of dons, he was going to include a few undergraduates. It was a proud day for me when I--I was included. I liked Rothenstein not less than I feared him; and there arose between us a friendship that has grown ever warmer, and been more and more valued by me, with every passing year.

There, on that October evening--there, in that exuberant vista of gilding and crimson velvet set amidst all those opposing mirrors and upholding caryatids, with fumes of tobacco ever rising to the painted and pagan ceiling, and with the hum of presumably cynical conversation broken into so sharply now and again by the clatter of dominoes shuffled on marble tables, I drew a deep breath and, "This indeed," said I to myself, "is life!"

It was the hour before dinner. We drank vermuth. Those who knew Rothenstein were pointing him out to those who knew him only by name. Men were constantly coming in through the swing-doors and wandering slowly up and down in search of vacant tables or of tables occupied by friends. One of these rovers interested me because I was sure he wanted to catch Rothenstein's eye. He had twice passed our table, with a hesitating look; but Rothenstein, in the thick of a disquisition on Puvis de Chavannes, had not seen him. He was a stooping, shambling person, rather tall, very pale, with longish and brownish hair. He had a thin, vague beard, or, rather, he had a chin on which a large number of hairs weakly curled and clustered to cover its retreat. He was an odd-looking person; but in the nineties odd apparitions were more frequent, I think, than they are now. The young writers of that era--and I was sure this man was a writer--strove earnestly to be distinct in aspect. This man had striven unsuccessfully. He wore a soft black hat of clerical kind, but of Bohemian intention, and a gray waterproof cape which, perhaps because it was waterproof, failed to be romantic. I decided that "dim" was the mot juste for him. I had already essayed to write, and was immensely keen on the mot juste, that Holy Grail of the period.

The dim man was now again approaching our table, and this time he made up his mind to pause in front of it.

"You don't remember me," he said in a toneless voice.

Rothenstein brightly focused him.

Free books android app tbrJar TBR JAR Read Free books online gutenberg

(0)

Login to post a comment!