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GLOSSARY.

CHAUCER.

The biography of Geoffrey Chaucer is no longer a mixture of unsifted facts, and of more or less hazardous conjectures. Many and wide as are the gaps in our knowledge concerning the course of his outer life, and doubtful as many important passages of it remain--in vexatious contrast with the certainty of other relatively insignificant data--we have at least become aware of the foundations on which alone a trustworthy account of it can be built. These foundations consist partly of a meagre though gradually increasing array of external evidence, chiefly to be found in public documents,--in the Royal Wardrobe Book, the Issue Rolls of the Exchequer, the Customs Rolls, and suchlike records--partly of the conclusions which may be drawn with confidence from the internal evidence of the poet's own indisputably genuine works, together with a few references to him in the writings of his contemporaries or immediate successors. Which of his works are to be accepted as genuine, necessarily forms the subject of an antecedent enquiry, such as cannot with any degree of safety be conducted except on principles far from infallible with regard to all the instances to which they have been applied, but now accepted by the large majority of competent scholars. Thus, by a process which is in truth dulness and dryness itself except to patient endeavour stimulated by the enthusiasm of special literary research, a limited number of results has been safely established, and others have at all events been placed beyond reasonable doubt. Around a third series of conclusions or conjectures the tempest of controversy still rages; and even now it needs a wary step to pass without fruitless deviations through a maze of assumptions consecrated by their longevity, or commended to sympathy by the fervour of personal conviction.

A single instance must suffice to indicate both the difficulty and the significance of many of those questions of Chaucerian biography which, whether interesting or not in themselves, have to be determined before Chaucer's life can be written. They are not "all and some" mere antiquarians' puzzles, of interest only to those who have leisure and inclination for microscopic enquiries. So with the point immediately in view. It has been said with much force that Tyrwhitt, whose services to the study of Chaucer remain uneclipsed by those of any other scholar, would have composed a quite different biography of the poet, had he not been confounded by the formerly accepted date of Chaucer's birth, the year 1328. For the correctness of this date Tyrwhitt "supposed" the poet's tombstone in Westminster Abbey to be the voucher; but the slab placed on a pillar near his grave , appears to have merely borne a Latin inscription without any dates; and the marble monument erected in its stead "in the name of the Muses" by Nicolas Brigham in 1556, while giving October 25th, 1400, as the day of Chaucer's death, makes no mention either of the date of his birth or of the number of years to which he attained, and, indeed, promises no more information than it gives. That Chaucer's contemporary, the poet Gower, should have referred to him in the year 1392 as "now in his days old," is at best a very vague sort of testimony, more especially as it is by mere conjecture that the year of Gower's own birth is placed as far back as 1320. Still less weight can be attached to the circumstance that another poet, Occleve, who clearly regarded himself as the disciple of one by many years his senior, in accordance with the common phraseology of his times, spoke of the older writer as his "father" and "father reverent." In a coloured portrait carefully painted from memory by Occleve on the margin of a manuscript, Chaucer is represented with grey hair and beard; but this could not of itself be taken to contradict the supposition that he died about the age of sixty. And Leland's assertion that Chaucer attained to old age self-evidently rests on tradition only; for Leland was born more than a century after Chaucer died. Nothing occurring in any of Chaucer's own works of undisputed genuineness throws any real light on the subject. His poem, the "House of Fame," has been variously dated; but at any period of his manhood he might have said, as he says there, that he was "too old" to learn astronomy, and preferred to take his science on faith. In the curious lines called "L'Envoy de Chaucer a Scogan," the poet, while blaming his friend for his want of perseverance in a love-suit, classes himself among "them that be hoar and round of shape," and speaks of himself and his Muse as out of date and rusty. But there seems no sufficient reason for removing the date of the composition of these lines to an earlier year than 1393; and poets as well as other men since Chaucer have spoken of themselves as old and obsolete at fifty. A similar remark might be made concerning the reference to the poet's old age "which dulleth him in his spirit," in the "Complaint of Venus," generally ascribed to the last decennium of Chaucer's life. If we reject the evidence of a further passage, in the "Cuckoo and the Nightingale," a poem of disputed genuineness, we accordingly arrive at the conclusion that there is no reason for demurring to the only direct external evidence in existence as to the date of Chaucer's birth. At a famous trial of a cause of chivalry held at Westminster in 1386, Chaucer, who had gone through part of a campaign with one of the litigants, appeared as a witness; and on this occasion his age was, doubtless on his own deposition, recorded as that of a man "of forty years and upwards," who had borne arms for twenty-seven years. A careful enquiry into the accuracy of the record as to the ages of the numerous other witnesses at the same trial has established it in an overwhelming majority of instances; and it is absurd gratuitously to charge Chaucer with having understated his age from motives of vanity. The conclusion, therefore, seems to remain unshaken, that he was born about the year 1340, or some time between that year and 1345.

Now, we possess a charming poem by Chaucer called the "Assembly of Fowls," elaborately courtly in its conception, and in its execution giving proofs of Italian reading on the part of its author, as well as of a ripe humour such as is rarely an accompaniment of extreme youth. This poem has been thought by earlier commentators to allegorise an event known to have happened in 1358, by later critics another which occurred in 1364. Clearly, the assumption that the period from 1340 to 1345 includes the date of Chaucer's birth, suffices of itself to stamp the one of these conjectures as untenable, and the other as improbable, and adds weight to the other reasons in favour of the date 1381 for the poem in question. Thus, backwards and forwards, the disputed points in Chaucer's biography and the question of his works are affected by one another.

he hath slain this year Hence over a mile, within a great village Both men and women, child and hind and page.

He kepte that he won in pestilence. For gold in physic is a cordial; Therefore he loved gold in special.

Meanwhile the ruling classes seem to have been left untouched in heart by these successive ill-met and ill-guarded trials, which had first smitten the lower orders chiefly, then the higher with the lower . Calamities such as these would assuredly have been treated as warnings sent from on high, both in earlier times, when a Church better braced for the due performance of its never-ending task, eagerly interpreted to awful ears the signs of the wrath of God, and by a later generation, leavened in spirit by the self-searching morality of Puritanism. But from the sorely-tried third quarter of the fourteenth century the solitary voice of Langland cries, as the voice of Conscience preaching with her cross, that "these pestilences" are the penalty of sin and of naught else. It is assuredly presumptuous for one generation, without the fullest proof, to accuse another of thoughtlessness or heartlessness; and though the classes for which Chaucer mainly wrote and with which he mainly felt, were in all probability as little inclined to improve the occasions of the Black Death as the middle classes of the present day would be to fall on their knees after a season of commercial ruin, yet signs are not wanting that in the later years of the fourteenth century words of admonition came to be not unfrequently spoken. The portents of the eventful year 1382 called forth moralisings in English verse, and the pestilence of 1391 a rhymed lamentation in Latin; and at different dates in King Richard's reign the poet Gower, Chaucer's contemporary and friend, inveighed both in Latin and in English, from his conservative point of view, against the corruption and sinfulness of society at large. But by this time the great peasant insurrection had added its warning, to which it was impossible to remain deaf.

The power of England in the period of an ascendancy to which she so tenaciously sought to cling, had not been based only upon the valour of her arms. Our country was already a rich one in comparison with most others in Europe. Other purposes besides that of providing good cheer for a robust generation were served by the wealth of her great landed proprietors, and of the "worthy vavasours" who, like Chaucer's "Franklin"--a very Saint Julian or pattern of hospitality--knew not what it was to be "without baked meat in the house," where their

tables dormant in the hall alway Stood ready covered all the longe day.

knew well all the havens, as they were From Gothland, to the Cape of Finisterre, And every creek in Brittany and Spain.

Doubtless, as may be noticed in passing, much of the tendency on the part of our shipmen in this period to self-help in offence as well as in defence, was due to the fact that the mercantile navy was frequently employed in expeditions of war, vessels and men being at times seized or impressed for the purpose by order of the Crown. On one of these occasions the port of Dartmouth, whence Chaucer at a venture makes his "Shipman" hail, is found contributing a larger total of ships and men than any other port in England. For the rest, Flanders was certainly still far ahead of her future rival in wealth, and in mercantile and industrial activity; as a manufacturing country she had no equal, and in trade the rival she chiefly feared was still the German Hansa. Chaucer's "Merchant" characteristically wears a "Flandrish beaver hat;" and it is no accident that the scene of the "Pardoner's Tale," which begins with a description of "superfluity abominable," is laid in Flanders. In England, indeed the towns never came to domineer as they did in the Netherlands. Yet, since no trading country will long submit to be ruled by the landed interest only, so in proportion as the English towns, and London especially, grew richer, their voices were listened to in the settlement of the affairs of the nation. It might be very well for Chaucer to close the description of his "Merchant" with what looks very much like a fashionable writer's half sneer:--


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