: Prue and I by Curtis George William - Biographical fiction American

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DINNER-TIME.

In the warm afternoons of the early summer, it is my pleasure to stroll about Washington Square and along the Fifth Avenue, at the hour when the diners-out are hurrying to the tables of the wealthy and refined. I gaze with placid delight upon the cheerful expanse of white waistcoat that illumes those streets at that hour, and mark the variety of emotions that swell beneath all that purity. A man going out to dine has a singular cheerfulness of aspect. Except for his gloves, which fit so well, and which he has carefully buttoned, that he may not make an awkward pause in the hall of his friend's house, I am sure he would search his pocket for a cent to give the wan beggar at the corner. It is impossible just now, my dear woman; but God bless you!

It is pleasant to consider that simple suit of black. If my man be young and only lately cognizant of the rigors of the social law, he is a little nervous at being seen in his dress suit--body coat and black trowsers--before sunset. For in the last days of May the light lingers long over the freshly leaved trees in the Square, and lies warm along the Avenue. All winter the sun has not been permitted to see dress-coats. They come out only with the stars, and fade with ghosts, before the dawn. Except, haply, they be brought homeward before breakfast in an early twilight of hackney-coach. Now, in the budding and bursting summer, the sun takes his revenge, and looks aslant over the tree-tops and the chimneys upon the most unimpeachable garments. A cat may look upon a king.

I know my man at a distance. If I am chatting with the nursery maids around the fountain, I see him upon the broad walk of Washington Square, and detect him by the freshness of his movement his springy gait. Then the white waistcoat flashes in the sun.

"Go on, happy youth," I exclaim aloud, to the great alarm of the nursery maids, who suppose me to be an innocent insane person suffered to go at large, unattended,--"go on, and be happy with fellow waistcoats over fragrant wines."

It is hard to describe the pleasure in this amiable spectacle of a man going out to dine. I, who am a quiet family man, and take a quiet family cut at four o'clock; or, when I am detained down town by a false quantity in my figures, who run into Delmonico's and seek comfort in a cutlet, am rarely invited to dinner and have few white waistcoats. Indeed, my dear Prue tells me that I have but one in the world, and I often want to confront my eager young friends as they bound along, and ask abruptly, "What do you think of a man whom one white waistcoat suffices?"

I wear a white cravat, too, but nobody supposes that it is in any danger of being stained by Lafitte. It is a limp cravat with a craven tie. It has none of the dazzling dash of the white that my young friends sport, or, I should say, sported; for the white cravat is now abandoned to the sombre professions of which I spoke. My young friends suspect that the flunkeys of the British nobleman wear such ties, and they have, therefore, discarded them. I am sorry to remark, also, an uneasiness, if not downright skepticism, about the white waistcoat. Will it extend to shirts, I ask myself with sorrow.

But there is something pleasanter to contemplate during these quiet strolls of mine, than the men who are going to dine out, and that is, the women. They roll in carriages to the happy houses which they shall honor, and I strain my eyes in at the carriage window to see their cheerful faces as they pass. I have already dined; upon beef and cabbage, probably, if it is boiled day. I I am not expected at the table to which Aurelia is hastening, yet no guest there shall enjoy more than I enjoy,--nor so much, if he considers the meats the best part of the dinner. The beauty of the beautiful Aurelia I see and worship as she drives by. The vision of many beautiful Aurelias driving to dinner, is the mirage of that pleasant journey of mine along the avenue. I do not envy the Persian poets, on those afternoons, nor long to be an Arabian traveller. For I can walk that street, finer than any of which the Ispahan architects dreamed; and I can see sultanas as splendid as the enthusiastic and exaggerating Orientals describe.

But not only do I see and enjoy Aurelia's beauty I delight in her exquisite attire. In these warm days she does not wear so much as the lightest shawl. She is clad only in spring sunshine. It glitters in the soft darkness of her hair. It touches the diamonds, the opals, the pearls, that cling to her arms, and neck, and fingers. They flash back again, and the gorgeous silks glisten, and the light laces flutter, until the stately Aurelia seems to me, in tremulous radiance, swimming by.

Beside, although my person is not present at your dinner, my fancy is. I see Aurelia's carriage stop, and behold white-gloved servants opening wide doors. There is a brief glimpse of magnificence for the dull eyes of the loiterers outside; then the door closes. But my fancy went in with Aurelia. With her, it looks at the vast mirror, and surveys her form at length in the Psyche-glass. It gives the final shake to the skirt, the last flirt to the embroidered handkerchief, carefully held, and adjusts the bouquet, complete as a tropic nestling in orange leaves. It descends with her, and marks the faint blush upon her cheek at the thought of her exceeding beauty; the consciousness of the most beautiful woman, that the most beautiful woman is entering the room. There is the momentary hush, the subdued greeting, the quick glance of the Aurelias who have arrived earlier, and who perceive in a moment the hopeless perfection of that attire; the courtly gaze of gentlemen, who feel the serenity of that beauty. All this my fancy surveys; my fancy, Aurelia's invisible cavalier.

You approach with hat in hand and the thumb of your left hand in your waistcoat pocket. You are polished and cool, and have an irreproachable repose of manner. There are no improper wrinkles in your cravat; your shirt-bosom does not bulge; the trowsers are accurate about your admirable boot. But you look very stiff and brittle. You are a little bullied by your unexceptionable shirt-collar, which interdicts perfect freedom of movement in your head. You are elegant, undoubtedly, but it seems as if you might break and fall to pieces, like a porcelain vase, if you were roughly shaken.

Now, here, I have the advantage of you. My fancy quietly surveying the scene, is subject to none of these embarrassments. My fancy will not utter commonplaces. That will not say to the superb lady, who stands with her flowers, incarnate May, "What a beautiful day, Miss Aurelia." That will not feel constrained to say something, when it has nothing to say; nor will it be obliged to smother all the pleasant things that occur, because they would be too flattering to express. My fancy perpetually murmurs in Aurelia's ear, "Those flowers would not be fair in your hand, if you yourself were not fairer. That diamond necklace would be gaudy, if your eyes were not brighter. That queenly movement would be awkward, if your soul were not queenlier."

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