: The Pretty Lady by Bennett Arnold - Prostitutes Fiction; World War 1914-1918 England London Fiction

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Chapter

THE PROMENADE

The piece was a West End success so brilliant that even if you belonged to the intellectual despisers of the British theatre you could not hold up your head in the world unless you had seen it; even for such as you it was undeniably a success of curiosity at least.

The stage scene flamed extravagantly with crude orange and viridian light, a rectangle of bedazzling illumination; on the boards, in the midst of great width, with great depth behind them and arching height above, tiny squeaking figures ogled the primeval passion in gesture and innuendo. From the arc of the upper circle convergent beams of light pierced through gloom and broke violently on this group of the half-clad lovely and the swathed grotesque. The group did not quail. In fullest publicity it was licensed to say that which in private could not be said where men and women meet, and that which could not be printed. It gave a voice to the silent appeal of pictures and posters and illustrated weeklies all over the town; it disturbed the silence of the most secret groves in the vast, undiscovered hearts of men and women young and old. The half-clad lovely were protected from the satyrs in the audience by an impalpable screen made of light and of ascending music in which strings, brass, and concussion exemplified the na?ve sensuality of lyrical niggers. The guffaw which, occasionally leaping sharply out of the dim, mysterious auditorium, surged round the silhouetted conductor and drove like a cyclone between the barriers of plush and gilt and fat cupids on to the stage--this huge guffaw seemed to indicate what might have happened if the magic protection of the impalpable screen had not been there.

Behind the audience came the restless Promenade, where was the reality which the stage reflected. There it was, multitudinous, obtainable, seizable, dumbly imploring to be carried off. The stage, very daring, yet dared no more than hint at the existence of the bright and joyous reality. But there it was, under the same roof.

Christine entered with Madame Larivaudi?re. Between shoulders and broad hats, as through a telescope, she glimpsed in the far distance the illusive, glowing oblong of the stage; then the silhouetted conductor and the tops of instruments; then the dark, curved concentric rows of spectators. Lastly she took in the Promenade, in which she stood. She surveyed the Promenade with a professional eye. It instantly shocked her, not as it might have shocked one ignorant of human nature and history, but by reason of its frigidity, its constraint, its solemnity, its pretence. In one glance she embraced all the figures, moving or stationary, against the hedge of shoulders in front and against the mirrors behind--all of them: the programme girls, the cigarette girls, the chocolate girls, the cloak-room girls, the waiters, the overseers, as well as the vivid courtesans and their client?le in black, tweed, or khaki. With scarcely an exception they all had the same strange look, the same absence of gesture. They were northern, blond, self-contained, terribly impassive. Christine impulsively exclaimed--and the faint cry was dragged out of her, out of the bottom of her heart, by what she saw:

"My god! How mournful it is!"

Lise Larivaudi?re, a stout and benevolent Bruxelloise, agreed with uncomprehending indulgence. The two chatted together for a few moments, each ceremoniously addressing the other as "Madame," "Madame," and then they parted, insinuating themselves separately into the slow, confused traffic of the Promenade.

THE POWER

Christine knew Piccadilly, Leicester Square, Regent Street, a bit of Oxford Street, the Green Park, Hyde Park, Victoria Station, Charing Cross. Beyond these, London, measureless as the future and the past, surrounded her with the unknown. But she had not been afraid, because of her conviction that men were much the same everywhere, and that she had power over them. She did not exercise this power consciously; she had merely to exist and it exercised itself. For her this power was the mystical central fact of the universe. Now, however, as she stood in the Promenade, it seemed to her that something uncanny had happened to the universe. Surely it had shifted from its pivot! Her basic conviction trembled. Men were not the same everywhere, and her power over them was a delusion. Englishmen were incomprehensible; they were not human; they were apart. The memory of the hundreds of Englishmen who had yielded to her power in Paris could not re-establish her conviction as to the sameness of men. The presence of her professed rivals of various nationalities in the Promenade could not restore it either. The Promenade in its cold, prim languor was the very negation of desire. She was afraid. She foresaw ruin for herself in this London, inclement, misty and inscrutable.

And then she noticed a man looking at her, and she was herself again and the universe was itself again. She had a sensation of warmth and heavenly reassurance, just as though she had drunk an anisette or a cr?me de menthe. Her features took on an innocent expression; the characteristic puckering of the brows denoted not discontent, but a gentle concern for the whole world and also virginal curiosity. The man passed her. She did not stir. Presently he emerged afresh out of the moving knots of promenaders and discreetly approached her. She did not smile, but her eyes lighted with a faint amiable benevolence--scarcely perceptible, doubtful, deniable even, but enough. The man stopped. She at once gave a frank, kind smile, which changed all her face. He raised his hat an inch or so. She liked men to raise their hats. Clearly he was a gentleman of means, though in morning dress. His cigar had a very fine aroma. She classed him in half a second and was happy. He spoke to her in French, with a slight, unmistakable English accent, but very good, easy, conversational French--French French. She responded almost ecstatically:

"Ah, you speak French!"

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