: The Renaissance of the Vocal Art A Practical Study of Vitality Vitalized Energy of the Physical Mental and Emotional Powers of the Singer through Flexible Elastic Bodily Movements by Myer Edmund J Edmund John - Singing Instruction and study

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PREFACE EXORDIUM

PART FIRST.

ARTICLE 1. THE OLD ITALIAN SCHOOL OF SINGING " 2. THE DARK AGES OF THE VOCAL ART " 3. THE TWO PREVAILING SYSTEMS " 4. THE RENAISSANCE OF THE VOCAL ART " 5. THE COMING SCHOOL OR SYSTEM " 6. CONDITIONS " 7. THE INFLUENCE OF RIGHT BODILY ACTION

RAISON D'?TRE

PART SECOND.

ARTICLE 1. THE FIRST PRINCIPLE OF ARTISTIC TONE-PRODUCTION " 2. THE SECOND PRINCIPLE OF ARTISTIC TONE-PRODUCTION " 3. THE THIRD PRINCIPLE OF ARTISTIC TONE-PRODUCTION

PART THIRD.

EXORDIUM.

Man, to see far and clearly, must rise above his surroundings. To win great possessions, to master great truths, we must climb all the hills, all the mountains, which confront us. Unfortunately the vocal profession dwells too much upon the lowlands of tradition, or is buried too deep in the valleys of prejudice. Better things, however, will come. They must come. The current of the advanced thought, the higher thought, of this, the opening year of the twentieth century, will slowly but surely increase in power and influence, will slowly but surely broaden and deepen, until the light of reason breaks upon the vocal world. We may confidently look, in the near future, for the Renaissance of the Vocal Art.

PART FIRST.

ARTICLE ONE.

THE OLD ITALIAN SCHOOL OF SINGING.

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