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INTERNATIONAL WEEKLY MISCELLANY

Of Literature, Art, and Science.

"It would be very idle to pretend, my dear Fritz, that in printing my letters, I had not some hope of doing the public a trifling service. There are errors which need only to be mentioned, to be frowned upon; and there are virtues, which an approving word, even of a stranger, will encourage. Both of these objects belong to my plan; yet my strictures shall not be personal, or invidious. It will be easy, surely, to carry with me the sympathies of all sensible people, in a little harmless ridicule of the foibles of the day, without citing personal instance; and it will be vastly easier, in such Babylon as ours, to designate a virtue, without naming its possessor! Still, you know me too well, to believe that I shall be frightened out of free, or even caustic remark, by any critique of the papers, or by any dignified frown of the literary coteries of the city.... This LORGNETTE of mine will range very much as my whim directs. In morals, it will aim to be correct; in religion, to be respectful; in literature, modest; in the arts, attentive; in fashion, observing; in society, free; in narrative, to be honest; in advice, to be sound; in satire, to be hearty; and in general character, whatever may be the critical opinions of the small litt?rateurs, or the hints of fashionable patrons, to be only--itself."

TENNYSON'S NEW POEM.

"'IN MEMORIAM.'

"Although only these words appear on the title-page of this volume of poetry, it is well known to be from the pen of Alfred Tennyson. It is also known that the inscription

refers to Mr. Arthur Hallam, a son of the historian. It may be gleaned from the book, that the deceased was betrothed to a sister of Tennyson, while the friendship on the poet's part has 'passed the love of women.' Feeling, especially in one whose vocation it is to express sentiments, is not, indeed, always to be measured by composition; since the earnest artist turns everything to account, and when his theme is mournful it is his cue to make it as mournful as he can: but when a thought continually mingles with casual observation, or incident of daily life, or larger event that strikes attention, as though the memory of the past were ever coloring the present, and that over a period of seventeen years, it must be regarded as a singular instance of enduring friendship, as it has shown itself in a very singular literary form. There is nothing like it that we remember, except the sonnets of Petrarch; for books of sportive and ludicrous conceits are not to be received into the same category.

Ring out, wild bells, to the wild sky, The flying cloud, the frosty light: The year is dying in the night; Ring out, wild bells, and let him die.

Ring out the old, ring in the new, Ring, happy bells, across the snow: The year is going, let him go; Ring out the false, ring in the true.

Ring out the grief that saps the mind, For those that here we see no more; Ring out the feud of rich and poor, Ring in redress to all mankind.

Ring out a slowly dying cause, And ancient forms of party strife; Ring in the nobler modes of life, With sweeter manners, purer laws.

Ring out the want, the care, the sin, The faithless coldness of the times; Ring out, ring out my mournful rhymes, But ring the fuller minstrel in.


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