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THE POOR GENTLEMAN.

HENDRIK CONSCIENCE

Translated Expressly for this Edition.

Preface to the American Edition.

It would be difficult to describe this remarkable work without analyzing the tale and criticizing its personages. This would anticipate the author and mar the interest of his story. We must confine ourselves, therefore, to general remarks on its structure and characteristics.

If it be objected that the stories are too short and sketchy for the praise that has been bestowed on them, it may be answered that in their translation we have had the best opportunity to observe the skill, power, and perception of character which constitute their real merit. Simple as they seem, they are written with masterly art. In design, elaborateness, tone, and finish, they resemble the works of the Flemish School which have made us familiar with the Low Countries and their people through the pictures of Ruysdael, Teniers, and Ostade. There is scarcely a leaf that does not display some of those recondite or evanescent secrets of human nature which either escape ordinary writers, or, when found by them, are spread out over volume instead of being condensed into a page.

Baltimore, August, 1856.

THE TRANSLATOR.

A peasant-boy of seventeen or eighteen was perched on the driver's seat. He was in livery; a tarnished gold band adorned his hat, and brass buttons glistened on his coat; but the hat fell over his ears, and the coat was so large that the driver seemed lost in it as in a bag. The garments had been worn by many of the lackey's predecessors on the box, and, in a long series of years, had doubtless passed from coachman to coachman till they descended to their present possessor.

The only person in the vehicle was a man about fifty years old. He was unquestionably the master of both servant and cabriolet, for his look and deportment commanded respect and consideration. With head depressed and moody air, he sat motionless and dreamy in his seat till he heard the approach of other vehicles, when, suddenly lifting his eyes, he would salute the strangers graciously and then instantly relapse into his former attitude. A moment's glance at this person was sufficient to excite an interest in him. His face, though hard and wrinkled, was so regular and noble in its contour, his look so mild and yet so earnest and penetrating, his broad brow so clear and lofty, that the most careless observer could not doubt that he was endowed with the best qualities of human nature. Besides this, there were unquestionable indications that he had been a sufferer. If a simple glance at his features did not impress one with a conviction of this fact, it was confirmed by the fringe of silvery hair that straggled over his temples, and the sombre, melancholy fire that glimmered in his eyes like the last rays of expiring hope.

His dress was in perfect keeping with his physiognomy. It was of that neat and simple style which always characterizes a man of the world who is governed by refined and elegant tastes. His linen was spotlessly white, his cloth extremely fine, and his well-brushed hat shone smartly in the sunshine. Occasionally, as some one passed on the road, he might be seen to draw forth a handsome gold snuff-box and inhale a pinch with so graceful an air that an observer would be convinced he belonged to the highest classes of society. A malicious eye, it is true, might have discovered by close inspection that the brush had been too familiar with his coat and worn it threadbare, that his silk hat had been doctored to preserve its lustre and smoothness, and that his gloves were elaborately darned. If an inquisitive critic could have pried into the bottom of the vehicle, he would have detected a large crack in the side of the left boot, beneath which a gray stocking had been carefully masked with ink. Still, all these signs of poverty were so artfully concealed, and his dress worn with so careless an air of opulence and ease, that every body might have supposed the traveller did not put on better clothes only because he had a whim for bad ones.

"It's a fine day, Monsieur Vlierbeck, isn't it?" said the dame; "yet it's a trifle warm, however. Don't you think it would be well for the high-grounds if we had a sprinkle more of rain, Monsieur Vlierbeck? Shall we give the horse some hay, Monsieur Vlierbeck? But stay: I see, now, your coachman has brought his hay with him. Will you take anything, Monsieur Vlierbeck?"


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