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: The Story of the Hymns and Tunes by Brown Theron Butterworth Hezekiah - Hymns History and criticism; Religious poetry Christianity
s not the whole of life to live Nor all of death to die.
Nor the haunting sweetness of--
There is a calm for those who weep.
Nor, indeed, the hymn of Christian love just now before us.
The melody exactly suited to the gentle trochaic step of the home-song, "People of the living God," is "Whitman," composed for it by Lowell Mason. Few Christians, in America, we venture to say, could hear an instrument play "Whitman" without mentally repeating Montgomery's words.
"TO LEAVE MY DEAR FRIENDS."
This hymn, called "The Bower of Prayer," was dear to Christian hearts in many homes and especially in rural chapel worship half a century ago and earlier, and its sweet legato melody still lingers in the memories of aged men and women.
Elder John Osborne, a New Hampshire preacher of the "Christian" denomination, is said to have composed the tune about 1815--though apparently the music was arranged from a flute interlude in one of Haydn's themes. The warbling notes of the air are full of heart-feeling, and usually the best available treble voice sang it as a solo.
To leave my dear friends and from neighbors to part, And go from my home, it affects not my heart Like the thought of absenting myself for a day From that blest retreat I have chosen to pray, I have chosen to pray.
The early shrill notes of the loved nightingale That dwelt in the bower, I observed as my bell: It called me to duty, while birds in the air Sang anthems of praises as I went to prayer, As I went to prayer.
How sweet were the zephyrs perfumed by the pine, The ivy, the balsam, the wild eglantine, But sweeter, O, sweeter superlative were The joys that I tasted in answer to prayer, In answer to prayer.
"SAVIOUR, THY DYING LOVE."
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