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THE MOOR CALAYNOS 57 THE ESCAPE OF GAYFEROS 61 MELISENDRA 63 THE MARCH OF BERNARDO DEL CARPIO 67 LADY ALDA'S DREAM 69 THE ADMIRAL GUARINOS 71 THE COMPLAINT OF THE COUNT OF SALDENHA 75 THE FUNERAL OF THE COUNT OF SALDENHA 76 BERNARDO AND ALPHONSO 78

COUNT ALARCOS AND THE INFANTA SOLIS 94

THE MOOR CALAYNOS.

It is generally believed to be among the most ancient, and certainly was among the most popular, of all the ballads in the Cancionero.

THE ESCAPE OF GAYFEROS.

The story of Gayfer de Bourdeaux is to be found at great length in the Romantic Chronicle of Charlemagne; and it has supplied the Spanish minstrels with subjects for a long series of ballads.

In that which follows, Gayferos, yet a boy, is represented as hearing from his mother the circumstances of his father's death; and as narrowly escaping with his own life, in consequence of his stepfather's cruelty.

MELISENDRA.

The following is a version of another of the ballads concerning Gayferos. It is the same that is quoted in the chapter of the Puppet-show in Don Quixote.

"'Child, child,' said Don Quixote, 'go on directly with your story, and don't keep us here with your excursions and ramblings out of the road. I tell you there must be a formal process, and legal trial, to prove matters of fact.'--'Boy,' said the master from behind the show, 'do as the gentleman bids you. Don't run so much upon flourishes, but follow your plain song, without venturing on counterpoints, for fear of spoiling all'--'I will, sir,' quoth the boy, and so proceeding: 'Now, sirs, he that you see there a-horseback, wrapt up in the Gascoign-cloak, is Don Gayferos himself, whom his wife, now revenged on the Moor for his impudence, seeing from the battlements of the tower, takes him for a stranger, and talks with him as such, according to the ballad,

'Quoth Melisendra, if perchance, Sir Traveller, you go for France, For pity's sake, ask when you're there, For Gayferos, my husband dear.'

"'I omit the rest, not to tire you with a long story. It is sufficient that he makes himself known to her, as you may guess by the joy she shows; and, accordingly, now see how she lets herself down from the balcony, to come at her loving husband, and get behind him; but, unhappily, alas! one of the skirts of her gown is caught upon one of the spikes of the balcony, and there she hangs and hovers in the air miserably, without being able to get down. But see how Heaven is merciful, and sends relief in the greatest distress! Now Don Gayferos rides up to her, and, not fearing to tear her rich gown, lays hold on it, and at one pull brings her down; and then at one lift sets her astride upon his horse's crupper, bidding her to sit fast, and clap her arms about him, that she might not fall; for the lady Melisendra was not used to that kind of riding.


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