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Editor: Chuck Greif
Compiled by Chuck Greif
The Prose Works of Hector Berlioz
A travers chants: ?tudes musicales, adorations, boutades et critiques Correspondance in?dite de Hector Berlioz, 1819-1868 Le chef d'orchestre: th?orie de son art Les grotesques de la musique Les musiciens et la musique Les soir?es de l'orchestre Lettres intimes Life of Henriette Sontag, Countess de Rossi M?moies de Hector Berlioz The Orchestral Conductor: Theory of His Art Voyage musical en Allemagne et en Italie, I Voyage musical en Allemagne et en Italie, II
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In the faubourgs, where every street had its bawling orator, and where the red flag was waved when the community had become sufficiently drunk, the government was quietly content to ignore proceedings, wisely understanding that the mouths of street orators were the safety-valves of the faubourgs, and that through them the ebullitions of the under-world escaped with nothing more serious than a few vinous shrieks. There were, however, certain secret and semi-secret organizations which caused the government concern. First among these came the International Society of Workingmen, with all its affiliations--the "Internationale," as it was called. In its wake trailed minor societies, some mild and harmless, some dangerous and secret, some violent, advocating openly the destruction of all existing conditions. Small groups of anarchists had already attracted groups of moderate socialistic tendencies to them, and had absorbed them or tainted them with doctrines dangerous to the state.
In time these groups began to adhere even more closely to the large bodies of the people; a party was born, small at first, embodying conflicting communistic principles.
The government watched it. Presently it split, as do all parties; yet here the paradox was revealed of a small party splitting into two larger halves. To one of these halves adhered the Red Republicans, the government opposition of the Extreme Left, the Opportunists, the Anarchists, certain Socialists, the so-called Communards, and finally the vast mass of the sullen, teeming faubourgs. It became a party closely affiliated with the Internationale, a colossal, restless, unorganized menace, harmless only because unorganized.
To this inoffensive group came one day a young widow, the Countess de Vassart, placing at their disposal her great wealth, asking only to be received among them as a comrade.
Her history, as known to the police, was peculiar and rather sad: at sixteen she had been betrothed to an elderly, bull-necked colonel of cavalry, the notorious Count de Vassart, who needed what money she might bring him to maintain his reputation as the most brilliantly dissolute old rake in Paris.
At sixteen, ?line de Tr?court was a thin, red-haired girl, with rather large, grayish eyes. Speed and I saw her once, sitting in her carriage before the Ministry of War a year after her marriage. There had been bad news from Mexico, and there were many handsome equipages standing at the gates of the war office, where lists of killed and wounded were posted every day.
I noticed her particularly because of her reputed wealth and the evil reputation of her husband, who, it was said, was so open in his contempt for her that the very afternoon of their marriage he was seen publicly driving on the Champs-?lys?es with a pretty and popular actress of the Od?on.
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