: The Prairie Child by Stringer Arthur Ward E F Edmund Franklin Illustrator - Canada Fiction; Frontier and pioneer life Prairie Provinces Fiction

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st stirring of penny-dreadfuls. Then he would put in two dots of eyes, and one abbreviated and vertical line for the nose, and another elongated and horizontal line for the mouth, and arms with extended and extremely elocutionary fingers, to say nothing of extremely attenuated legs which invariably toed-out, to make more discernible the silhouette of the ponderously booted feet. I have several dozen of these "li'l' men" carefully treasured in an old cigar-box. But he soon lost interest in these purely anthropocentric creations and broadened out into the delineation of boats and cars and wheel-barrows and rocking-chairs and tea-pots, lying along the floor on his stomach for an hour at a time, his tongue moving sympathetically with every movement of his pencil. He held the latter clutched close to the point by his stubby little fingers.

I had to call a halt on all such artistry, however, for he startled me, one day, by suddenly going crosseyed. It came, of course, from working with his nose too close to the paper. I imagined, with a sinking heart, that it was an affliction which was to stay with him for the rest of his natural life. But a night's sleep did much to restore the over-taxed eye-muscles and before the end of a week they had entirely righted themselves.

Duncan, it's plain to see, is still in the doldrums. He is uncommunicative and moody and goes about his work with a listlessness which is more and more disturbing to me. He surprised his wife the other day by addressing her as "Lady Selkirk," for the simple reason, he later explained, that I propose to be monarch of all I survey, with none to dispute my domain. And a little later he further intimated that I was like a miser with a pot of gold, satisfied to live anywhere so long as my precious family-life could go clinking through my fingers.

So when Dinky-Dunk laughed at me, for going into a trance over my own children, I merely smiled condoningly back at him. I felt vaguely sorry for him. He wasn't getting out of them what I was getting. He was being cheated, in some way, out of the very harvest for which he had sowed and waited. And if he had come to me, in that mood of relapse, if he had come to me with the slightest trace of humility, with the slightest touch of entreaty, on his face, I'd have hugged his salt-and-peppery old head to my bosom and begged to start all over again with a clean slate....

Gershom and I get along much better than I had expected. There's nothing wrong with the boy except his ineradicable temptation to impart to you his gratuitous tidbits of information. I can't object, of course, to Gershom having a college education: what I object to is his trying to give me one. I don't mind his wisdom, but I do hate to see him tear the whole tree of knowledge up by the roots and floor one with it. He has just informed me that there are estimated to be 30,000,000,000,000 red blood corpuscles in this body of mine, and I made him blink by solemnly challenging him to prove it. Quite frequently and quite sternly, too, he essays to correct my English. He reproved me for saying: "Go to it, Gershom!" And he declared I was in error in saying "The goose hangs high," as that was merely a vulgar corruption for "The goose whangs high," the "whanging" being the call of the wild geese high in the air when the weather is settled and fair. We live and learn!

But I can't help liking this pedagogic old Gershom who takes himself and me and all the rest of the world so seriously. I like him because he shares in my love for Dinkie and stands beside Peter himself in the fondly foolish belief that Dinkie has somewhere the hidden germ of greatness in him. Not that my boy is one of those precocious little bounders who are so precious in the eyes of their parents and so odious to the eyes of the rest of the world. He is a large-boned boy, almost a rugged-looking boy, and it is only I, knowing him as I do, who can fathom the sensibilities housed in that husky young body. There is a misty broodiness in his eyes which leaves them indescribably lovely to me as I watch him in his moments of raptness. But that look doesn't last long, for Dinkie can be rough in play and at times rough in speech, and deep under the crust of character I imagine I see traces of his Scottish father in him. I watch with an eagle eye for any outcroppings of that Caledonian-granite strain in his make-up. I inspect him as Chinkie used to inspect his fruit-trees for San Jos? scale, for if there is any promise of hardness or cruelty there I want it killed in the bud.

But I don't worry as I used to, on that score. He may be rough-built, but moods cluster thick about him, like butterflies on a shelf of broken rock. And he is both pliable and responsive. I can shake him, when in the humor, by the mere telling of a story. I can control his color, I can excite him and exalt him, and bring him to the verge of tears, if I care to, by the mere tone of my voice as I read him one of his favorite tales out of one of Peter's books. But I shrink, in a way, from toying with those feelings. It seems brutal, cruel, merciless. For he is, after all, a delicate instrument, to be treated with delicacy. The soul of him must be kept packed away, like a violin, in its case of reserve well-padded with discretion. Two things I see in him: tenseness and beauty. And these are things which are lost, with rough handling. He shrinks away from brutality. Always, when he came to the picture of Samson pulling down the pillars of the temple, in Whinstane Sandy's big old illustrated Bible, he used to cover with one small hand a certain child on the temple steps as though to protect to the last that innocent one from the falling columns and cornices.

But I'm worried, at times, about Dinky-Dunk's attitude toward the boy. There are ways in which he demands too much from the child. His father is often unnecessarily rough in his play with him, seeming to take a morose delight in goading him to the breaking point and then lamenting his lack of grit, edging him on to the point of exasperation and then heaping scorn on him for his weakness. More than once I've seen his father actually hurt him, although the child was too proud to admit it. Dinky-Dunk, I think, really wants his boy to be a bigger figure in the world than his dad. Milord's a middle-aged man now and knows his limitations. He has realized just how high the supremest high-water mark of his life will stand. And being human, he must nurse his human regrets over his failures in life. So now he wishes to see his thwarted powers come to fuller fruit in his offspring. I'm afraid he'd even run the risk of sacrificing the boy's happiness for the sake of knowing Dinkie's wagon was to be hitched to the star of success. For I know my husband well enough to realize that he has always hankered after worldly success, that his god, if he had any, has always been the god of Power. I, too, want to see my son a success. But I want him to be happy first. I want to see him get some of the things I've been cheated out of, that I've cheated myself out of. That's the only way now I can get even with life. I can't live my own days over again. But I can catch at the trick of living them over again in my Dinkie.

What made it funny, of course, was the ridiculousness of the drawing. Then Dinky-Dunk, right before the blushing Gershom, accused me of being a love-piker. I could sniff which way the wind was blowing, but I sat tight. Then, to cap the climax, my husband announced that he had something for me which was surely going to melt my mean old prairie heart. And late that afternoon he came trundling up to Casa Grande with nothing more nor less than an old prairie-schooner.

And I don't intend to dwell on those hardships. I'm holding out the hand of compromise to my fellow-trekker. Existence is only a prairie-schooner, and we have to accommodate ourselves to it. And I thank Heaven now that I can see things more clearly and accept them more quietly. That's a lesson Time teaches us. And Father Time, after all, has to hand us something to make up for so mercilessly permitting us to grow old. It leaves us more tolerant. We're not allowed to demand more life, but we can at least ask for more light. So I intend to be cool-headedly rational about it all. I'm going to keep Reason on her throne. I'm going to be a bitter-ender, in at least one thing: I'm going to stick to my Dinky-Dunk to the last ditch. I'm going to patch up the old top and forget the old scars. For we're in the same schooner, and we must make the most of it. And if I have to eat my pot of honey on the grave of all our older hopes, I'm at least going to dig away at that pot until its bottom is scraped clean. I'm going to remain the neck-or-nothing woman I once prided myself on being. I'm even going to overlook Dinky-Dunk's casual cruelty in announcing, when I half-jokingly inquired why he preferred other women to his own Better-Half, that no horse eats hay after being turned out to fresh grass. I'm going on, I repeat, no matter what happens. I'm going on to the desperate end, like my own Dinkie with the chocolate-cake when I warned him he'd burst if he dared to eat another piece and he responded: "Then pass the cake, Mummy--and everybody stand back!"

"Dinky-Dunk," I said with a perfectly straight face as we climbed in, "what is it gives me such a mysterious influence over men?"

Instead of answering me, he merely ground his gears as though they had been his own teeth. So I repeated my question.

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