: Chapters on Spanish Literature by Fitzmaurice Kelly James - Spanish literature; Spanish literature History and criticism

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VIRGIL, TASSO, AND RAPHAEL, 401

PING-KEE'S VIEW OF THE STAGE, 415

THE MIDNIGHT WATCH, 424

VESTIGES OF THE NATURAL HISTORY OF CREATION, 448

BETHAM'S ETRURIA CELTICA, 474

SUSPIRIA DE PROFUNDIS: BEING A SEQUEL TO THE CONFESSIONS OF AN ENGLISH OPIUM-EATER, 489

PRINTED BY BALLANTYNE AND HUGHES, EDINBURGH.

BLACKWOOD'S EDINBURGH MAGAZINE.

VIRGIL, TASSO, AND RAPHAEL.

Originality of conception and fidelity of observation in general mark the efforts of genius in the earlier ages of society; and it is then, accordingly, that those creative minds appear which stamp their own impress upon the character of a whole people, and communicate to their literature, in the most distant periods, a certain train of thought, a certain class of images, a certain family resemblance. Homer, Phidias, and AEschylus in ancient times--Dante, Michael Angelo, Ariosto, and Shakspeare in modern, belong to this exalted class. Each in his own department has struck out a new range of thought, and created a fresh brood of ideas, which, on "winged words," have taken their flight to distant regions, and to the end of the world will never cease to delight and influence mankind. Subsequent ages may refine their images, expand their sentiments, perhaps improve their expression; but they add little to the stock of their conceptions. The very greatness of their predecessors precludes fresh creations: the furrows of the ancient wheels are so deep that the modern chariot cannot avoid falling into them. So completely in all persons of education are the great works of antiquity incorporated with thought, that they arise involuntarily with every exercise of the faculty of taste, and insensibly recur to the cultivated mind, with all that it admires, and loves, and venerates.

Modern epic poetry arose in a different age, and was moulded by different circumstances. The mythology of antiquity was at an end, and with it had perished the gay and varied worship which had so long amused or excited an imaginative people. The empire of the Caesars, with its grandeur and its recollections, had sunk into the dusk; the venerable letters, S. P. Q. R., no longer commanded the veneration of mankind. A new faith, enjoining moral duties, had descended upon the earth: a holier spirit had come to pervade the breasts of the faithful. An unknown race of fierce barbarians had broken into the decaying provinces of the Roman empire, and swept away their government, their laws, their property, and their institutions. But the Christian faith had proved more powerful than the arms of the legions; it alone had survived, amidst the general wreck of the civilized world. Mingling with the ardent feelings and fierce energy of the barbarian victors, it sat

Incorporating itself with the very souls of the conquerors--descending on their heads with the waters of baptism, never leaving them till the moment of extreme unction--it moulded between these two extremes their whole character. A new principle superior to all earthly power was introduced--a paramount authority established, to which even the arm of victorious conquest was compelled to submit--ruthless warriors were seen kneeling at the feet of unarmed pontiffs. The crown of the Caesars had more than once been lowered before the cross of the head of the faithful.

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