: My Musical Life by Damrosch Walter - Damrosch Walter 1862-1950; Conductors (Music) United States Biography

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Walter Damrosch in 1920 Afternoon coffee in the Damrosch Home, Breslau, 1867 Doctor Leopold Damrosch and his son Walter at eighteen years of age Lilli Lehmann as Isolde Mathilde Marchesi Nellie Melba Camille Saint-Sa?ns and Walter Damrosch Lieutenant Walker Blaine Beale Fritz Kreisler, Harold Bauer, Pablo Casals, and Walter Damrosch

My Musical Life

I

CHILDHOOD--1866-1875

I am an American musician and have lived in this country since my ninth year. I was born in Breslau, Silesia, on January 30, 1862, and my first memories are connected with war, the Austro-Prussian War of 1866. I was four years old and remember being with my mother in a room in our apartment in Breslau, which was filled with flowers and growing plants and various friends coming in to condole with her over the death of my baby brother, Hans, who had died of cholera, which was then raging in Breslau. The second child of my parents, born in 1860, had been christened Richard, after Richard Wagner, who had officiated as godfather at the ceremony. This child lived but a short time, and Wagner had vowed that he would never again stand as godfather for the children of any of his friends, as the ill luck which had pursued him all his life was thus carried even into their families.

In order to safeguard the rest of her children from the danger of the dread disease to which little Hans had succumbed, my mother took my older brother, Frank, myself, and a baby sister into the country near the Bohemian frontier, where the war was being fought. I can remember my brother and myself standing at a country road, each armed with a huge bouquet of flowers we had gathered, and watching for General Steinmetz and his army to pass on their way to the front. As they marched by, my brother bravely ran to one of the officers and gave him his flowers, but my courage gave out and I threw my bouquet so that it fell on the ground, from which one of the soldiers smilingly picked it up and stuck it on his bayonet. That same afternoon Frank and I lay on the ground with our ears closely pressed to it and we could plainly hear the booming of the cannon.

When peace was declared, King William of Prussia together with Crown Prince Frederick, Bismarck, Moltke, and a brilliant retinue of officers, made their triumphant entry into Breslau on horseback. My brother and I watched this gorgeous sight with delighted eyes from the balcony of our apartment. My mother threw a wreath, which fell on the neck of the horse carrying King William and he, looking up, saluted her.

Musical conditions when my father first came to Breslau in 1858, immediately after his marriage, were miserable enough, and it was not until he founded, together with some musical enthusiasts, the "Breslau Orchester Verein" that a regular symphonic orchestra was established with a series of subscription concerts. All the great artists of the day came to Breslau to take part in these concerts, and generally they stayed at our house, although our quarters were very simple--Liszt, Wagner, von B?low, Clara Schumann, Tausig, Joachim, Auer, Haenselt, Rubinstein. Some of them I can remember vaguely, but of course many stories and anecdotes were current in the family regarding their visits.

When Tausig, Liszt's greatest piano pupil, spent a night in our house, the bed in the guest-room broke down in the middle of the night and he calmly arranged his mattress on the floor and continued his slumbers. But his visit was connected in my brother's and my mind particularly with a certain apple pudding which he adored and which my mother always baked especially for him, so that it became known in our family as the "Tausigsche Apfel-Speise." It was a luscious mixture of apples, raisins, and almonds incased in a delicate, light pie-crust.

My father and Tausig would sometimes engage in the most violent discussions on musical or philosophical topics, and the latter would often become so enraged that he would rush out of the house, vowing he would never return. Then he would run around the block and come back in five minutes, smiling and saying, "Come, Damrosch, let us play a Beethoven Sonata together," and all would be well.

When Joachim arrived he found a large

"WILLKOMMEN HERR JOACHIM"

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