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: Lectures on the rise and development of medieval architecture; vol. 2 by Scott George Gilbert Sir - Architecture Gothic; Architecture Medieval
Early Architecture in Great Britain.
Review of the developments in the early Architecture of our own land--Recent research in Central Syria--Examples in Northern Europe previous to the eleventh century--Early remains in Scotland and Ireland--Anglo-Saxon Architecture--Churches founded by St. Augustine--Canterbury and York--Churches at Hexham and Ripon--Ramsey Abbey--Winchester Cathedral--Destruction of Churches by Sweyn--Restoration and building by Canute--Roman models--Characteristics of Anglo-Saxon work--Brixworth Church, Northamptonshire Church on the Castlehill, Dover--Worth Church, Sussex--Bradford Church, Wilts--Chancel of Saxon Church at Jarrow-on-the-Tyne--Churches of Monk Wearmouth and Stow--Crypts at Wing, Repton, and Lastingham--Towers of St. Benet's, Cambridge: Trinity Church, Colchester: Earls Barton: Barnach: Barton-on-Humber--Sompting, Sussex: and Clapham, Bedfordshire--Chapel at Greensted, Essex--Classification into periods of this form of Architecture Page 1
Chapel of St. John, Tower of London--St. Alban's Abbey--St. Stephen's at Caen--Cathedrals of Winchester, Ely, London, Rochester, and Norwich--Abbey Church at Bury St. Edmund's--Gloucester Cathedral--Tewkesbury Abbey--Cathedrals of Worcester and Durham--Waltham Abbey--Christchurch, Hants Page 92
The Practical and Artistic Principles of Early Architecture in Great Britain.
The Principles of Vaulting.
The Dome.
Non-existence of the Dome in our old English architecture--Highly developed forms in France, Germany, and Italy, contemporary with our great Mediaeval edifices--Suggestions for its introduction into our revived and redeveloped Neo-mediaeval style--So-called Tomb of Agamemnon at Mycenae--The Pantheon--Temple of Minerva Medica--Torre dei Schiavi--Temples of Vesta at Rome and Tivoli--Temple of Jupiter in Diocletian's Palace, Spalatro--Tomb of St. Constantia--Baptistery at Nocera--Baptistery at Ravenna--Important domical development--"Pendentive Domes"--Early specimens--Pendentive domes the special characteristic of the Byzantine style--How this originated--Further domical developments--Cathedral at Florence--Churches of SS. Sergius and Bacchus, the Apostles, and St. Sophia, Constantinople Page 228
Architectural Art in reference to the Past, the Present, and the Future.
Early Architecture in Great Britain
Review of the developments in the early Architecture of our own land--Recent research in Central Syria--Examples in Northern Europe previous to the eleventh century--Early remains in Scotland and Ireland--Anglo-Saxon Architecture--Churches founded by St. Augustine--Canterbury and York--Churches at Hexham and Ripon--Ramsey Abbey--Winchester Cathedral--Destruction of Churches by Sweyn--Restoration and building by Canute--Roman models--Characteristics of Anglo-Saxon work--Brixworth Church, Northamptonshire Church on the Castlehill, Dover--Worth Church, Sussex--Bradford Church, Wilts--Chancel of Saxon Church at Jarrow-on-the-Tyne--Churches of Monk Wearmouth and Stow--Crypts at Wing, Repton, and Lastingham--Towers of St. Benet's, Cambridge: Trinity Church, Colchester: Earls Barton: Barnach: Barton-on-Humber: Sompting, Sussex: and Clapham, Bedfordshire--Chapel at Greensted, Essex--Classification into periods of this form of Architecture.
In my previous lectures I have given an outline of the development of Pointed architecture from the preceding round-arched style, and followed on with some practical suggestions as to the study of these phases of architecture. In them I have treated equally of foreign and English buildings, or have, perhaps, dwelt more at length on the former, and have carefully traced the connection of English with French architecture as they grew up, side by side, from the common germ, each to its glorious perfection.
I purpose now to fall back upon the commencement of this series of developments, and, while I go more in detail into the varied features of the architecture of these periods, to limit myself, during the present session at least, very much to its English productions.
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