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: Southey by Dowden Edward Morley John Editor - Authors English 19th century Biography; Southey Robert 1774-1843
CHILDHOOD 1
WESTMINSTER, OXFORD, PANTISOCRACY, AND MARRIAGE 19
WANDERINGS, 1795-1803 44
WAYS OF LIFE AT KESWICK, 1803-1839 80
WAYS OF LIFE AT KESWICK, 1803-1839 112
CHANGES AND EVENTS, 1803-1843 142
SOUTHEY'S WORK IN LITERATURE 187
SOUTHEY.
CHILDHOOD.
No one of his generation lived so completely in and for literature as did Southey. "He is," said Byron, "the only existing entire man of letters." With him literature served the needs both of the material life and of the life of the intellect and imagination; it was his means of earning daily bread, and also the means of satisfying his highest ambitions and desires. This, which was true of Southey at five-and-twenty years of age, was equally true at forty, fifty, sixty. During all that time he was actively at work accumulating, arranging, and distributing knowledge; no one among his contemporaries gathered so large a store from the records of the past; no one toiled with such steadfast devotion to enrich his age; no one occupied so honourable a place in so many provinces of literature. There is not, perhaps, any single work of Southey's the loss of which would be felt by us as a capital misfortune. But the more we consider his total work, its mass, its variety, its high excellence, the more we come to regard it as a memorable, an extraordinary achievement.
At the age of forty-six Robert Southey wrote the first of a series of autobiographic sketches; his spirit was courageous, and life had been good to him; but it needed more than his courage to live again in remembrance with so many of the dead; having told the story of his boyhood, he had not the heart to go farther. The autobiography rambles pleasantly into by-ways of old Bath and Bristol life; at Westminster School it leaves him. So far we shall go along with it; for what lies beyond, a record of Southey's career must be brought together from a multitude of letters, published or still remaining in manuscript, and from many and massy volumes in prose and verse, which show how the industrious hours sped by.
After the courtship on Sunday afternoons came the wedding, and before long a beautiful boy was born, who died in infancy. On the 12th of August, 1774, Mrs. Southey was again in the pain of childbirth. "Is it a boy?" she asked the nurse. "Ay, a great ugly boy!" With such salutation from his earliest critic the future poet-laureate entered this world. "God forgive me," his mother exclaimed afterwards, in relating the event, "when I saw what a great red creature it was, covered with rolls of fat, I thought I should never be able to love him." In due time the red creature proved to be a distinctively human child, whose curly hair and sensitive feelings made him a mother's darling. He had not yet heard of sentiment or of Rousseau, but he wept at the pathos of romantic literature, at the tragic fate of the "Children sliding on the ice all on a summer's day," or the too early death of "Billy Pringle's pig," and he would beg the reciters not to proceed. His mother's household cares multiplied, and Southey, an unbreeched boy of three years, was borne away one morning by his faithful foster-mother Patty to be handed over to the tender mercies of a schoolmistress. Ma'am Powell was old and grim, and with her lashless eyes gorgonized the new pupil; on the seizure of her hand he woke to rebellion, kicking lustily, and crying, "Take me to Pat! I don't like ye! you've got ugly eyes! take me to Pat, I say!" But soft-hearted Pat had gone home, sobbing.
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