: Jilted! Or My Uncle's Scheme Volume 3 by Russell William Clark - English fiction 19th century

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JILTED!

OR,

MY UNCLE'S SCHEME.

MY UNCLE'S SCHEME.

"What's the use of snivelling, And worrying and drivelling? Sure you might give over now, And get another lover."

It was manifestly her resolution to charm out of my memory the very false impression of her character she had sought to establish. The sense that my heart belonged to another made her feel perfectly easy with me. She would speak her mind on a great variety of subjects; sentimental arguments were frequent; we could talk of love in an "aibstract sense" like Sidney Smith's Scotch young lady; reason on the emotions, and puzzle each other with metaphysics. We were both perfectly honest and knew no danger. Moreover we were cousins, and everybody knows the nature of cousins' rights.

Now I may as well confess--being of opinion that a man ought always to seize the earliest opportunity to tell the truth--that, like most young men of four-and-twenty, I was large-hearted: by which I mean, there beat in my bosom an organ sufficiently elastic to include several objects at once. I have pretty well established my claims to inflammability by my brief reference to Pauline and by the very headlong way in which I had fallen in love with Conny. I am well aware that among a certain order of novelists and novel readers, a hero is thought a very contemptible poor creature if he does not remain undeviatingly true to his first love through forty or fifty chapters of close print; although during his journey through these chapters, he may have to encounter several fascinating and seductive young persons, who exert all the arts they have acquired by a long apprenticeship to the science of love-making, to divert him from the straight path that leads him to the altar, where, robed in the shining nuptial raiment, stands the Only and the True.

If this were an idle work of fiction, instead of a solid and trustworthy narrative of facts, I should, no doubt, pursue the established system, and save the printers a very great deal of labour by enabling them to use some of their stereotypes. But I carry my ink-bottle in my bosom; and into it I dip my pen, whilst memory hoarsely dictates and judgment scowlingly corrects.

Now, do I represent a species, or am I a unique? When I tell you that though I remained fondly attached to Conny through a large number of those days darkened by her barbarous neglect, I could still find a very great pleasure in riding with Theresa, talking to her, listening to her singing, and saying pretty things with a tolerably significant face, will you pronounce me an impossibility, or allow that I acted as a great number of young men have acted, are acting, and will for ever act?

Come, drop that stone. You know I'm a species. Every woman knows I am a species. No need to quote bacchanalian lyrics, to mangle Moore, or steal from Morris, to prove that a man may be fond of one and flirt with many. But since the testimonies of the great are always valuable, hear musical Prior sing:

"So when I am wearied with wandering all day, To thee, my delight, in the evening I come. No matter what beauties I saw in my way, They were but my visits, but thou art my home!"

Theresa gained upon me every day. Fresh characteristics were for ever cropping up to charm me with new aspects of her nature. She was hearty, genuine, cheerful; piquant with candour, amusing with originality. Moreover, I found my admiration of her fine face and figure increase in proportion as I grew familiar with them. The longer Conny remained silent the more powerful became my regard for her cousin. I pictured that fair-haired girl devoted--to Curling; and jealousy stung me, and turned me to Theresa, and obliged me to think of her.

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