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XL. THE SACRIFICE 240

L. THE HOLY SIGNAL 336

THE SON OF MONTE-CRISTO

A MARRIAGE CONTRACT AND ITS END

In the month of July of the year 1829, a man created a great sensation in Paris, and even attracted the attention of the lions of society. Where he came from--who he was--what was his past life--none knew; and the mystery surrounding him only tended to make the hero of the season more interesting.

The Count of Monte-Cristo, from Italy--from Malta--no one knew whence--had unlimited credit with the banking house of Danglars, one of the largest in Paris; owned the finest mansion--a superb villa--at Auteuil, and the handsomest turnout on the road, which he presented to a banker's wife, without letting any one know his reason for doing so; all this was sufficient to make him the central point around which revolved the social gossip of the day. But, besides this, the handsome stranger makes his appearance at the theatres in the company of a lady in Grecian dress, whose transcendent beauty and countless diamonds awake alike admiration and cupidity. Like moths around the flame, society flutters about the legendary count, and it is principally the golden youth who find in him their centre of attraction. Among the latter were more especially Albert Morcerf, the son of a general, Debray, a young and talented attach? at the Foreign Office, Beauchamp, and Chateau-Renaud, who served as the asteroids of the new star in the Parisian sky.

Sometimes they were joined at those famous dinners which only a Monte-Cristo understood how to give, by a Count Andrea Cavalcanti, who at first appeared there with his father, Major Cavalcanti. Although he was a stranger, he was received in society through his acquaintance with Monte-Cristo and with Baron Danglars, in whose banking house he had a large sum on deposit.

The young count, a perfect Apollo, with classically-cut features, did not fail to produce an impression upon Eugenie, a proud, black-eyed brunette, the only daughter of the millionnaire Danglars; and as the millions of the father, in conjunction with the peculiar beauty of the daughter, began to interest the count, it was not long before they thought of marriage. Danglars, who had been a heavy loser in certain speculations of which the public was ignorant, hoped to rehabilitate himself with the millions of his prospective son-in-law, and therefore there was nothing to prevent the marriage of the proud Eugenie and the handsome Andrea.

One July evening, representatives of the high financial society, and a few members of the aristocracy, were invited to Danglars' house to witness the signing of the marriage contract of the only daughter of the house with the Italian, Count Andrea Cavalcanti, of the princely house of Cavalcanti. At five o'clock, when the guests arrived, they found all the rooms in the mansion brilliant with wax-lights.

The bride was simply yet tastefully attired: a white satin dress trimmed with lace of the same color; a single white rose, which was half hidden in her raven black hair, formed the only ornament of the young lady, whose jewels, it was well known, represented a fortune. The young count was surrounded by representatives of the gilded youth, who give the tone in the Jockey Club, and are the recognized authorities for all Europe in questions of taste, fashion, and sport.

Baron Danglars was the centre of a group of bankers, to whom he developed his celebrated projects which had increased his millions, taking good care, however, not to mention his losses. Madame Danglars, the handsome mother of the pretty Eugenie, was surrounded by a circle of young and old cavaliers, who paid court to her with the greatest ceremony, and whose adorations were accepted by the lady as a tribute due her, although it could not be denied that she favored the young attach? Debray.

The lawyers were already there, yet the ceremony appeared to be purposely delayed, as if they were waiting for the arrival of a missing guest. And this was indeed the case.


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