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: Prints: A Brief Review of Their Technique and History by Richter Emil H Emil Heinrich - Engraving History; Engravers
Introductory, 1. Bank note and magazine illustration, 3. Three main divisions of processes. Woodcut, 4. Wood-engraving, 5. Engraving, 6. Dry-point, mezzotint, 8. Etching, 9. Lithography, 10. The printing presses used, 11.
Not a sudden invention, 12. Utilitarian origin, 14. The past reviewed, 15. The panel picture and its cheap substitute, 18. Saints' pictures, 20. Playing cards, 21. Increasing demand for pictures, 24. Block-books, movable type, 26. Book illustration in Germany and Italy, 28. Examples of early woodcuts: German, 30, Italian, 32.
The professional engraver, 49. Marcantonio Raimondi, 50. The publisher, 51. Revival; Carracci, 52. Painter-etchers, 53. Later developments; Canaletto, 55. The classical engravers, 55. Chiaroscuro woodcut, 56.
Culmination, D?rer, 60. Lucas van Leyden, 65. Italian influence, 66. Little masters, 67. Woodcut: Cranach, Holbein, 69. The two masters, D?rer and Holbein, 70. Decline, 71.
History. Flemish and Dutch art, 73. Engraver families, commerce in Saints' pictures, 75. Virtuosi of the graver, Goltzius, 76. Rubens and his engravers, 77. Van Dyck, 78. Cornel Visscher, 79. Rembrandt, 80. Ostade, 84. Ruysdael. Landscape and animal etchers, 85. Italian influence, decline, 86.
Early days, Hollar. English engravers, 109. Hogarth, 110. Bartolozzi, 110. Mezzotint engravers, 111. Earlom, 113. Wood-engraving: Bewick, 114.
Colonial times; Pelham, Peale, 116. Stipple; book illustration, 117. Wood-engraving, the tone engravers, 118. Etching, 120.
Individual expression, 121. Blake, 122. Chodowiecki, 123. A new era, Constable, Delacroix and others, 124. Turner, 126. Wood-engraving and lithography, 127. Menzel; Gavarni, Daumier, 129. Raffet, 130. Revival of etching, 130. Jacque, Millet, and others, 131. Etching versus Engraving, 131. Haden, Whistler, 132. Meryon, 133. Gaillard, 134. Exacting demands on the graphic arts; Zorn, Klinger, 135. Conclusion, 136.
Books recommended for study of prints, 138.
MADONNA OF EINSIEDELN. Anon. Master E. S. 40
DEATH OF THE VIRGIN. Martin Schongauer 42
BATTLE OF NUDE MEN. Antonio Pollajuolo 46
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