: The Memoirs of a Failure: with an Account of the Man and His Manuscript by Kittredge Daniel Wright - Harvard University Fiction; Failure (Psychology) Fiction; University of Virginia Fiction

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Dunlevy at the University of Virginia 5

Dunlevy at Harvard 17

Dunlevy: His Manuscript 33

"The Memoirs of a Failure" 39

Dunlevy Abroad? 187

DUNLEVY AT THE UNIVERSITY OF VIRGINIA.

Lest the name of a hitherto unknown author be totally obliterated, I am going to give a description of his curious personality, together with an account of a manuscript in his handwriting, as bewildering as it is extraordinary, from which some extracts are now for the first time brought from obscurity into the daylight of print. I give at once the name of this writer--William Wirt Dunlevy.

It is essential to begin by relating what little is known of the man himself. Otherwise these fragments of his work would be even more inexplicable than if they were presented without comment. Indeed, it is best to admit at the outset that the character of this man and the outcome of his life are subjects which seem destined to remain quite as inscrutable as the meaning of his manuscript. All that lies within my aim or power is simply to try to make known his personality as I have conceived it from the few facts of his life known to me, from his writings and from a slight intimacy with the man himself. What is finest to me is the man behind the manuscript; and so my part is strictly to essay at interpretative biography. I am about to tell the brief story of a life singularly strange, a life whose overmastering interest is not in public events, not in famous friendships, not in outward adventures, in nothing but in the man himself. I doubt if Dunlevy will make a wide appeal for favor. And there will be many, very many, to whom this whole account will seem not worth while.

Dunlevy was a student at the University of Virginia at the time when some of us, who were undergraduates, began to notice and comment upon his personality. He was considerably older than the other students; and we imagined that this was the reason why he held himself aloof from us. We used to watch him from the athletic field on pleasant afternoons. He was wont to stand on the great flight of stone steps which led from a shaded avenue to gently sloping terraces that lie before the Rotunda, the name of the college library. Dunlevy used to stand at the foot of these steps, looking intently at the lofty porticos, as though impressed with the majesty of this copy of the Pantheon, its majesty in all its simplicity.

The terraces are connected on the sides by open colonnades, forming two interior courts. In them, for indefinite periods, Dunlevy was accustomed to walk, his hands crossed behind him, gazing out upon the distant wooded valleys of the Blue Ridge Mountains. We wondered what sort of man he might be, who was as sufficient unto himself as the fixed stars in the sky which radiate no other light than their own.

He came to take his meals in the same dining-hall with us; indeed I sat at the table beside him. I think he liked me, because I let him alone. I did not attempt conversation. It was noticeable that he tried to come to his meals after the others had finished eating. But he found this difficult, as one burly foot-ball player usually remained as long as anything remained on the table. This fellow used to make stupid, broadside sallies at Dunlevy, who had the look of a man who had once been strong and robust, but who was now almost ashamed of his grotesque appearance. Dunlevy did not try to stop the foot-ball player in any of his onslaughts of muscular wit. The latter's name was Crowther. I used to think that Crowther's conception of wit amused Dunlevy more often than it irritated him.

One morning at breakfast I made a most inane remark for a place where all the conversation was devoted to the subject of athletics, such as who was the Harvard full-back in '94 or what was the best batting average last year. My remark was totally out of place, as it had to do with literature. It happened this way: when I came into the dining-hall I noticed a copy of one of Cardinal Newman's works sticking out of the pocket of Dunlevy's overcoat. And as I took my seat at the table no one was saying anything, so I merely remarked how much I admired Newman's style. Every one stared at me except Dunlevy, who was smiling at my thoughtlessness.

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