: Stage-Land by Jerome Jerome K Jerome Klapka - English essays; English wit and humor; Actors; Theater Anecdotes

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THE HERO THE VILLAIN THE HEROINE THE COMIC MAN THE LAWYER THE ADVENTURESS THE SERVANT GIRL THE CHILD THE COMIC LOVERS THE PEASANTS THE GOOD OLD MAN THE IRISHMAN THE DETECTIVE THE SAILOR

STAGE-LAND.

THE HERO.

His name is George, generally speaking. "Call me George!" he says to the heroine. She calls him George . Then he is happy.

The stage hero never has any work to do. He is always hanging about and getting into trouble. His chief aim in life is to be accused of crimes he has never committed, and if he can muddle things up with a corpse in some complicated way so as to get himself reasonably mistaken for the murderer, he feels his day has not been wasted.

He has a wonderful gift of speech and a flow of language calculated to strike terror to the bravest heart. It is a grand thing to hear him bullyragging the villain.

The stage hero is always entitled to "estates," chiefly remarkable for their high state of cultivation and for the eccentric ground plan of the "manor house" upon them. The house is never more than one story high, but it makes up in green stuff over the porch what it lacks in size and convenience.

The chief drawback in connection with it, to our eyes, is that all the inhabitants of the neighboring village appear to live in the front garden, but the hero evidently thinks it rather nice of them, as it enables him to make speeches to them from the front doorstep--his favorite recreation.

There is generally a public-house immediately opposite. This is handy.

These "estates" are a great anxiety to the stage hero. He is not what you would call a business man, as far as we can judge, and his attempts to manage his own property invariably land him in ruin and distraction. His "estates," however, always get taken away from him by the villain before the first act is over, and this saves him all further trouble with regard to them until the end of the play, when he gets saddled with them once more.

Not but what it must be confessed that there is much excuse for the poor fellow's general bewilderment concerning his affairs and for his legal errors and confusions generally. Stage "law" may not be quite the most fearful and wonderful mystery in the whole universe, but it's near it--very near it. We were under the impression at one time that we ourselves knew something--just a little--about statutory and common law, but after paying attention to the legal points of one or two plays we found that we were mere children at it.

We thought we would not be beaten, and we determined to get to the bottom of stage law and to understand it; but after some six months' effort our brain began to soften, and we abandoned the study, believing it would come cheaper in the end to offer a suitable reward, of about 50,000 pounds or 60,000 pounds, say, to any one who would explain it to us.

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