: The Use and Need of the Life of Carry A. Nation by Nation Carry Amelia - Social reformers United States Biography; Nation Carry Amelia 1846-1911; Temperance United States

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POETRY.

The Use and Need of the Life of Carry A. Nation.

MY OLD KENTUCKY HOME AND WHAT I REMEMBER OF MY LIFE UP TO THE TENTH YEAR.

I was born in Garrard County, Kentucky. My father's farm was on Dick's River, where the cliffs rose to hundreds of feet, with great ledges of rocks, where under which I used to sit. There were many large rocks scattered around, some as much as fifteen feet across, with holes that held water, where my father salted his stock, and I, a little toddler, used to follow him. On the side of the house next to the cliffs was what we called the "Long House," where the negro women would spin and weave. There were wheels, little and big, and a loom or two, and swifts and reels, and winders, and everything for making linen for the summer, and woolen cloth for the winter, both linsey and jeans. The flax was raised on the place, and so were the sheep. When a child 5 years old, I used to bother the other spinners. I was so anxious to learn to spin. My father had a small wheel made for me by a wright in the neighborhood. I was very jealous of my wheel, and would spin on it for hours. The colored women were always indulgent to me, and made the proper sized rolls, so I could spin them. I would double the yarn, and then twist it, and knit it into suspenders, which was a great source of pride to my father, who would display my work to visitors on every occasion.

The dwelling house had ten rooms, all on the ground floor, except one. I have heard my father say that it was a hewed-log house, weather-boarded and plastered as I remember it. The room that possessed the most attraction for me was the parlor, because I was very seldom allowed to go in it. I remember the large gold-leaf paper on the walls, its bright brass dogirons, as tall as myself, and the furniture of red plush, some of which is in a good state of preservation, and the property of my half-brother, Tom Moore, who lives on "Camp Dick Robinson" in Garrard County, this Dick Robinson was a cousin of my father's. There were two sets of negro cabins; one in which Betsey and Henry lived, who were man and wife, Betsey being the nurse of all the children. Then there was aunt Mary and her large family, aunt Judy and her family and aunt Eliza and her's. There was a water mill behind and almost a quarter of a mile from the house, where the corn was ground, and near that was the overseer's house.

Standing on the front porch, we looked through a row of althea bushes, white and purple, and there were on each side cedar trees that were quite large in my day. There was an old-fashioned stile, instead of a gate, and a long avenue, as wide as Kansas Avenue, in Topeka, with forest trees on either side, that led down to the big road, across which uncle Isaac Dunn lived, who was a widower with two children, Dave and Sallie, and I remember that Sallie had all kinds of dolls; it was a great delight of mine to play with these.

To the left of our house was the garden. I have read of the old- fashioned garden; the gardens written about and the gardens sung about, but I have never seen a garden that could surpass the garden of my old home. Just inside the pickets were bunches of bear grass. Then, there was the purple flag, that bordered the walks; the thyme, coriander, calamus and sweet Mary; the jasmine climbing over the picket fence; the syringa and bridal wreath; roses black, red, yellow and pink; and many other kinds of roses and shrubs. There, too, were strawberries, raspberries, gooseberries and currants; damson and greengages, and apricots, that grew on vines. I could take some time in describing this beautiful spot.

At the side of the garden was the family burying ground, where the gravestones were laid flat on masonry, bringing them about three feet from the ground. These stones were large, flat slabs of marble, and I used to climb up on top and sit or lie down, and trace the letters or figures with my fingers. I visited this graveyard in 1903. The eight graves were there in a good state of preservation, with not a slab broken, although my grandfather was buried there, ninety years ago. My father had a stone wall built around these graves for protection, when he left Kentucky. I am glad that family graveyards have given place to public cemeteries, for this place has changed hands many times and this graveyard is not pleasant for the strangers who live there. We who are interested in these sacred mounds, feel like we intrude, to have the homes of our dead with strangers.

The memories of this Kentucky home date from the time I was three years old. This seems remarkable, but my mother said this incident occurred when I was three years old, and I remember it distinctly. I was standing in the back yard, near the porch. Mr. Brown, the overseer, was in the door of my half-brother Richard's room, with my brother's gun in his hands. At the end of the porch was a small room, called the "saddle room." A pane of glass was out of the window and a hen flew out, cackling. Aunt Judy, the colored woman, went in to get the egg, and walked in front of Mr. Brown, who raised the gun and said: "Judy, I am going to shoot you," not thinking the gun was loaded. It went off, and aunt Judy fell. Mr. Brown began to wring his hands and cry in great agony. I screamed and kept running around a small tree near by. This was Sunday morning. Runners were sent for the doctor, and for my parents, who were at church. Aunt Judy got well, but had one eye out; we could always feel the shot in her forehead. She was one of the best servants, and a dear good friend to me. She used to bring two of her children and come up to my room on Sundays and sit with me, saying, she did not want to be in the cabin when "strange niggers were there." This misfortune had disfigured her face and she always avoided meeting people. I can see her now, with one child at the breast, and another at her knee, with her hand on its head, feeling for "buggars." I was very much attached to this woman and wanted to take care of her in her old age. I went to Southern Texas to get her in 1873. I found some of her children in Sherman, Texas, but aunt Judy had been dead six months. She always said she wanted to live with me.

My mother always left her small children in the care of the servants. I was quite a little girl before I was allowed to eat at "white folk's table." Once my mother had been away several days and came home bringing a lot of company with her. I ran out when I saw the carriages driving up, and cried: "Oh, ma, I am so glad to see you. I don't mind sleeping with aunt Eliza, but I do hate to sleep with uncle Josh," think I was quite dirty, and some of the colored servants snatched me out of sight. Aunt Eliza was aunt Judy's half-sister, her father was a white man. She was given to my father by my grandmother, was very bright and handsome, and the mother of seventeen children. My grandmother remembered aunt Eliza in her will, giving her some linen sheets, furniture, and other things.

One of aunt Eliza's sons was named Newton. My father had a mill and store up in Lincoln County, near Hustonville. Newton used to do the hauling for my father with a large wagon and six-mule team. He would often do the buying for the store and take measurements of grain, and my father trusted him implicitly. Once a friend of my father said to him, as Newton was passing along the street with his team: "George, I'll give you seventeen hundred dollars for that negro." My father said: "If you would fill that wagon-bed full of gold, you could not get him." A few weeks after that Newton died. I remember seeing my father in the room weeping, and remember the chorus of the song the negroes sang on that occasion: "Let us sit down and chat with the angels."

The husband of aunt Eliza was "uncle Josh," a small Guinea negro, as black as coal and very peculiar. I always stood in awe of him, as all the children did. I remember one expression of his was: "Get out of the way, or I'll knock you into a cocked hat." The reason I had to sleep with aunt Eliza, Betsy, my nurse, was only ten years older than I was. Betsy was a girl given by my grandfather Campbell to my mother when my father and mother were married. My mother was a widow when she married my father. She had married Will Caldwell, a son of Capt. Caldwell, who died in Sangamon County, Ill., he had freed his negroes and moved there from Kentucky. Will Caldwell died after three years, leaving my mother with two children. Both of them died at my grandfather Campbell's in Mercer county, Kentucky, before she married my father.

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