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PROEM.

Not here in our London Ghetto the gates and gaberdines of the olden Ghetto of the Eternal City; yet no lack of signs external by which one may know it, and those who dwell therein. Its narrow streets have no specialty of architecture; its dirt is not picturesque. It is no longer the stage for the high-buskined tragedy of massacre and martyrdom; only for the obscurer, deeper tragedy that evolves from the pressure of its own inward forces, and the long-drawn-out tragi-comedy of sordid and shifty poverty. Natheless, this London Ghetto of ours is a region where, amid uncleanness and squalor, the rose of romance blows yet a little longer in the raw air of English reality; a world which hides beneath its stony and unlovely surface an inner world of dreams, fantastic and poetic as the mirage of the Orient where they were woven, of superstitions grotesque as the cathedral gargoyles of the Dark Ages in which they had birth. And over all lie tenderly some streaks of celestial light shining from the face of the great Lawgiver.

The folk who compose our pictures are children of the Ghetto; their faults are bred of its hovering miasma of persecution, their virtues straitened and intensified by the narrowness of its horizon. And they who have won their way beyond its boundaries must still play their parts in tragedies and comedies--tragedies of spiritual struggle, comedies of material ambition--which are the aftermath of its centuries of dominance, the sequel of that long cruel night in Jewry which coincides with the Christian Era. If they are not the Children, they are at least the Grandchildren of the Ghetto.

The particular Ghetto that is the dark background upon which our pictures will be cast, is of voluntary formation.

Hard times and bitter had some of the fathers of the Ghetto, but they ate their dry bread with the salt of humor, loved their wives, and praised God for His mercies. Unwitting of the genealogies that would be found for them by their prosperous grandchildren, old clo' men plied their trade in ambitious content. They were meek and timorous outside the Ghetto, walking warily for fear of the Christian. Sufferance was still the badge of all their tribe. Yet that there were Jews who held their heads high, let the following legend tell: Few men could shuffle along more inoffensively or cry "Old Clo'" with a meeker twitter than Sleepy Sol. The old man crawled one day, bowed with humility and clo'-bag, into a military mews and uttered his tremulous chirp. To him came one of the hostlers with insolent beetling brow.

"Any gold lace?" faltered Sleepy Sol.

"Get out!" roared the hostler.

"I'll give you de best prices," pleaded Sleepy Sol.

"Get out!" repeated the hostler and hustled the old man into the street. "If I catch you 'ere again, I'll break your neck." Sleepy Sol loved his neck, but the profit on gold lace torn from old uniforms was high. Next week he crept into the mews again, trusting to meet another hostler.

"Clo'! Clo'!" he chirped faintly.

Alas! the brawny bully was to the fore again and recognized him.

"You dirty old Jew," he cried. "Take that, and that! The next time I sees you, you'll go 'ome on a shutter."


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