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in the usage of which the human mind is common and far from admirable. There were days in the thrall of stone-work and grading and drainage, in which I forgot the sun-path and the cloud-shadows; nights in which I saw fireplaces and sleeping-porches , instead of the immortal signatures of the heavens.

But we had learned our City lessons rather well, and these disturbers did not continue to defile. A man may build his house, if he can also forget it. A few good things--perennials, by all means an elm-tree, stone-work and an oaken door; the things that need not replenishing in materials, that grow old with you, or reach their prime after you have passed--these are enough. For a home that does not promote your naturalness, is a place of vexation to you and to your children.

Yet it is through this breaking of the husks of illusion--through the very artificialities that we come to love the sane and holy things. The man of great lands, who draws his livelihood from the soil, can never know the healing nor the tender loveliness that came up to us that first summer. One must know the maiming of the cities to bring to the land a surface that nature floods with ecstasies. Carlyle thundered against artificial things all his wonderful life, exalted the splendours of simplicity which permit a man to forget himself--just missing the fact that a man must be artificial before he can be natural; that we learn by suffering and come up through the hell and complication of cities only to show us wherein our treasure lies.

The narrow non-sensitive consciousness of the peasant, with its squirrel-dream of filled barns, its cruelty and continual garnering--that is very far from the way. Tolstoi went against the eternal law to try that. He wanted simplicity so tragically that he permitted his desire to prevail, and turned back to the peasants for it. It is against the law to turn back. The peasants are simple because they have not met the intervening complications between their inland lake consciousness and the oceanic clarity ahead. Be very sure that none will escape the complication, for we rise to different dimensions of simplicity through such trials. War, Trade, the City, and all organised hells are our training-fields. The tragedy is to remain, to remain fixed in them--not to rush forth at length from our miserable self-consciousness and self-serving in the midst of them. Cosmic simplicity is ahead; the naturalness of the deeper health of man--that is ahead.

That summer is identified with the Shore. I worked at the desk through the long forenoons, and in a bathing-suit for the rest of the day. I expect to get to the Shore again when the last of the builders leave the bluff, when the bit of an orchard can run itself, and the big and little trees are at home. They are in sick-beds now from transplanting. From one to another I move almost every day. It is not that they are on my land--that insensate motive is pretty well done away with. But they have been uprooted and moved, and they are fighting to live. I sometimes think that they need some one to watch. If one goes away for a week--there is a change, sometimes for the worse. The sun strikes them on a different side; their laterals and tap-roots have been severed; they meet different conditions of soil than they were trained for. Much water helps, but they must breathe, and sometimes mulch keeps them too cold. Then they have their enemies like every other living thing--and low in health from moving, they cannot withstand these foes without help. The temporality of all things--even of the great imperturbable trees--is a thought of endless visitation in Nature. She seems to say morning and evening, "Do not forget that everything here must pass."

There is to be little woodland, a miniature forest, a hundred feet long and thirty feet wide only. Beech and ash and elm are started there--dogwoods and hawthorns and lilacs. Mulch from the woods is being brought, and violets. Twice I have tried to make young hickories live, but failed. I think the place where the roots are cut in transplanting should be sealed with wax. A man here said that you can transplant hickories if you get all the roots, but that they bleed to death even in winter, if their laterals are severed.... I want the birds to come to this little wood. Of course, it will be many years before it follows the plan, but there is a smile in the idea. The hawthorns came whole; the ash and beech are doing well. Some wild grape is started, but that must be watched for it is a beautiful murderer....

I want to get back to the Shore. Something was met there the first summer that I yearn for again--close to the sand, close to the voices of the water. The children often tell me what I feel. To them the stones have their gnomes, the water its sprites, and the sand a spirit of healing. There, too, the sunlight is so intense and vitalising as it plays upon the water and penetrates the margin.

The clay bluff is finding its grade, since it is spared the wash from beneath. That which breaks from erosion above straightens it out below, and in time it will find a permanent slope that cannot be approached for beauty by any artificial process. I would not miss one of the natural shelves or fissures. The Japanese are interesting in their treatment of slopes. Something of the old temples and stonepaved paths--a trickle of water over the stones, deep shadows and trailing vines--something of all this will come to the clay bluff, if time is given to play on. But that is last, as the Shore was first.... I brought a willow trunk there this Spring and let the waves submerge it in sand. There are fifty small shoots springing up; and they will fight their way with each other, the leaders surviving. I planted one cedar on the Shore. It is good to plant a cedar. You are working for posterity.

All this in a grove of elms and beeches, as I saw it--and as yet, there wasn't a tree on the place. First of all there needed to be a work-shop to finance the main-dream. That was built in the Fall, after the reverse was put on the devouring conditions of the Shore.

STONESTUDY

Somewhere in the past ages, I've had something to do with stone-work. This came to me first with a poignant thrill when I found myself in the presence of the Chinese Wall. Illusion or not, it seemed as if there were ancient scars across my back--as if I had helped in that building, and under the lash, too.

... I heard the mason here tell his tender that he had done a lot of stone-work, but had never been watched so closely as this. He penetrated to the truth of the matter presently. I wasn't watching because I was afraid of short time or flaws of construction--I was watching because it satisfied something within, that had to do with stone-work. I do not get accustomed to the marvel of cement. The overnight bond of that heavy powder, and its terrible thirst, is a continual miracle to me. There is a satisfaction about stone-work. It is at its weakest at the moment of setting. If you can find a bearing for one stone upon another without falling, you may know that every hour that passes for years, your wall is hardening. These things move slowly, too. All that has to do with stone-work is a slow process. In the very lifting, the masons learn that muscles must not tug or jerk, but lift slowly. The mortar that hardens slowly hardens best.


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