: The Romance of Biography (Vol 2 of 2) or Memoirs of Women Loved and Celebrated by Poets from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols. by Jameson Mrs Anna - Women in literature

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OF THE SECOND VOLUME.

Page

CONJUGAL POETRY MONTI AND HIS WIFE 209

COWLEY'S ELEONORA--MARIA D'ESTE--ANNE KILLEGREW--LADY HYDE--GRANVILLE'S MIRA--PRIOR'S CHLOE--DUCHESS OF QUEENSBURY 218

CONCLUSION. HEROINES OF MODERN POETRY 342

THE LOVES OF THE POETS.

CAREW'S CELIA.--LUCY SACHEVEREL.

From the reign of Charles the First may be dated that revolution in the spirit and form of our lyric poetry, which led to its subsequent degradation. The first Italian school of poetry, to which we owed our Surreys, our Spensers, and our Miltons, had now declined. The high contemplative tone of passion, the magnanimous and chivalrous homage paid to women, gradually gave way before the French taste and French gallantry, introduced, or at least encouraged and rendered fashionable, by Henrietta Maria and her gay household. The muse of amatory poetry no longer walked the earth star-crowned and vestal-robed, "col dir pien d'intelletti, dolci ed alti,"--"with love upon her lips, and looks commercing with the skies;"--she suited her garb to the fashion of the times, and tripped along in guise of an Arcadian princess, half regal, half pastoral, trailing a sheep-hook crowned with flowers, and sparkling with foreign ornaments,

Pale glistering pearls and rainbow-coloured gems.

This, in general terms, was the progress of the lyric muse, from the poets of Queen Elizabeth's days down to the wits of Queen Anne's. Of course, there are modifications and exceptions, which will suggest themselves to the poetical reader; but it does not enter into the plan of this sketch to treat matters thus critically and profoundly. To return then to the days of Charles the First.

It must be confessed that the union of Italian sentiment and imagination with French vivacity and gallantry, was, in the commencement, exceedingly graceful, before all poetry was lost in wit, and gallantry sunk into licentiousness.

Carew, one of the first who distinguished himself in this style, has been most unaccountably eclipsed by the reputation of Waller, and deserved better than to have had his name hitched into line between Sprat and Sedley;

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