Practice and improve writing style.
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
Yes, King Edward VI. lived only a few years, poor boy, but he lived them worthily. More than once, when some great dignitary, some gilded vassal of the crown, made argument against his leniency, and urged that some law which he was bent upon amending was gentle enough for its purpose, and wrought no suffering or oppression which any one need mightily mind, the young King turned the mournful eloquence of his great compassionate eyes upon him and answered—
“List ye all! This my son is mad; but it is not permanent. Over-study hath done this, and somewhat too much of confinement. Away with his books and teachers! see ye to it. Pleasure him with sports, beguile him in wholesome ways, so that his health come again.” He raised himself higher still, and went on with energy, “He is mad; but he is my son, and England’s heir; and, mad or sane, still shall he reign! And hear ye further, and proclaim it: whoso speaketh of this his distemper worketh against the peace and order of these realms, and shall to the gallows! . . . Give me to drink—I burn: this sorrow sappeth my strength. . . . There, take away the cup. . . . Support me. There, that is well. Mad, is he? Were he a thousand times mad, yet is he Prince of Wales, and I the King will confirm it. This very morrow shall he be installed in his princely dignity in due and ancient form. Take instant order for it, my lord Hertford.”
“Never fear—thou shalt be blameless. More—thou shalt go free—none shall touch thee. Exert thy power.”
It was done. None remained but the two officials, the accused, the accuser, and Miles Hendon. This latter was rigid and colourless, and on his forehead big drops of cold sweat gathered, broke and blended together, and trickled down his face. The judge turned to the woman again, and said, in a compassionate voice—
Tom’s departure had left his two noble guardians alone. They mused a while, with much head-shaking and walking the floor, then Lord St. John said—
“What makes me feel so bad dis time ’uz bekase I hear sumpn over yonder on de bank like a whack, er a slam, while ago, en it mine me er de time I treat my little ’Lizabeth so ornery. She warn’t on’y ’bout fo’ year ole, en she tuck de sk’yarlet fever, en had a powful rough spell; but she got well, en one day she was a-stannin’ aroun’, en I says to her, I says:
Well, I see I was up a stump—and up it good. Providence had stood by me this fur all right, but I was hard and tight aground now. I see it warn’t a bit of use to try to go ahead—I’d got to throw up my hand. So I says to myself, here’s another place where I got to resk the truth. I opened my mouth to begin; but she grabbed me and hustled me in behind the bed, and says:
“Jim ain’t got no tin plates. They feed him in a pan.”
“Well, Sister Phelps, I’ve ransacked that-air cabin over, an’ I b’lieve the nigger was crazy. I says to Sister Damrell—didn’t I, Sister Damrell?—s’I, he’s crazy, s’I—them’s the very words I said. You all hearn me: he’s crazy, s’I; everything shows it, s’I. Look at that-air grindstone, s’I; want to tell me’t any cretur ’t’s in his right mind ’s a goin’ to scrabble all them crazy things onto a grindstone, s’I? Here sich ’n’ sich a person busted his heart; ’n’ here so ’n’ so pegged along for thirty-seven year, ’n’ all that—natcherl son o’ Louis somebody, ’n’ sich everlast’n rubbage. He’s plumb crazy, s’I; it’s what I says in the fust place, it’s what I says in the middle, ’n’ it’s what I says last ’n’ all the time—the nigger’s crazy—crazy ‘s Nebokoodneezer, s’I.”
Then I struck up the road, and when I passed the mill I see a sign on it, “Phelps’s Sawmill,” and when I come to the farm-houses, two or three hundred yards further along, I kept my eyes peeled, but didn’t see nobody around, though it was good daylight now. But I didn’t mind, because I didn’t want to see nobody just yet—I only wanted to get the lay of the land. According to my plan, I was going to turn up there from the village, not from below. So I just took a look, and shoved along, straight for town. Well, the very first man I see when I got there was the duke. He was sticking up a bill for the Royal Nonesuch—three-night performance—like that other time. They had the cheek, them frauds! I was right on him before I could shirk. He looked astonished, and says:
“It's true—it's true—and I'm ashamed and beg forgiveness, O dear master and benefactor!” And she ran to Satan and kissed his hand, over and over again, according to the Austrian custom.
“Take good care of the tree, for its health and yours are bound together. It will never bear again, but if you tend it well it will live long. Water its roots once in each hour every night—and do it yourself; it must not be done by proxy, and to do it in daylight will not answer. If you fail only once in any night, the tree will die, and you likewise. Do not go home to your own country any more—you would not reach there; make no business or pleasure engagements which require you to go outside your gate at night—you cannot afford the risk; do not rent or sell this place—it would be injudicious.”
Once, in a school for girls only ten miles away, the teachers found that the back of one of the girls was all red and inflamed, and they were greatly frightened, believing it to be the Devil's marks. The girl was scared, and begged them not to denounce her, and said it was only fleas; but of course it would not do to let the matter rest there. All the girls were examined, and eleven out of the fifty were badly marked, the rest less so. A commission was appointed, but the eleven only cried for their mothers and would not confess. Then they were shut up, each by herself, in the dark, and put on black bread and water for ten days and nights; and by that time they were haggard and wild, and their eyes were dry and they did not cry any more, but only sat and mumbled, and would not take the food. Then one of them confessed, and said they had often ridden through the air on broomsticks to the witches' Sabbath, and in a bleak place high up in the mountains had danced and drunk and caroused with several hundred other witches and the Evil One, and all had conducted themselves in a scandalous way and had reviled the priests and blasphemed God. That is what she said—not in narrative form, for she was not able to remember any of the details without having them called to her mind one after the other; but the commission did that, for they knew just what questions to ask, they being all written down for the use of witch-commissioners two centuries before. They asked, “Did you do so and so?” and she always said yes, and looked weary and tired, and took no interest in it. And so when the other ten heard that this one confessed, they confessed, too, and answered yes to the questions. Then they were burned at the stake all together, which was just and right; and everybody went from all the countryside to see it. I went, too; but when I saw that one of them was a bonny, sweet girl I used to play with, and looked so pitiful there chained to the stake, and her mother crying over her and devouring her with kisses and clinging around her neck, and saying, “Oh, my God! Oh, my God!” it was too dreadful, and I went away.
It made a sensation. The faces of the crowd blanched, and turned mechanically toward the clock. The butcher and the weaver seemed smitten with an illness, but the blacksmith braced up and said, with spirit:
A kind of awe fell upon us when we heard him say that, and we were afraid again; but he said we need not be troubled, there was no occasion for us to be afraid of an angel, and he liked us, anyway. He went on chatting as simply and unaffectedly as ever; and while he talked he made a crowd of little men and women the size of your finger, and they went diligently to work and cleared and leveled off a space a couple of yards square in the grass and began to build a cunning little castle in it, the women mixing the mortar and carrying it up the scaffoldings in pails on their heads, just as our work-women have always done, and the men laying the courses of masonry—five hundred of these toy people swarming briskly about and working diligently and wiping the sweat off their faces as natural as life. In the absorbing interest of watching those five hundred little people make the castle grow step by step and course by course, and take shape and symmetry, that feeling and awe soon passed away and we were quite comfortable and at home again. We asked if we might make some people, and he said yes, and told Seppi to make some cannon for the walls, and told Nikolaus to make some halberdiers, with breastplates and greaves and helmets, and I was to make some cavalry, with horses, and in allotting these tasks he called us by our names, but did not say how he knew them. Then Seppi asked him what his own name was, and he said, tranquilly, “Satan,” and held out a chip and caught a little woman on it who was falling from the scaffolding and put her back where she belonged, and said, “She is an idiot to step backward like that and not notice what she is about.”
