Practice and improve writing style.
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“Answer the gentleman, Thomas—don’t be afraid.”
‘Barley-corn, barley-corn, injun-meal shorts, Spunk-water, spunk-water, swaller these warts,’
She was half sorry her sagacity had miscarried, and half glad that Tom had stumbled into obedient conduct for once.
“No, Tom’s true-blue, Huck, and he’ll come back. He won’t desert. He knows that would be a disgrace to a pirate, and Tom’s too proud for that sort of thing. He’s up to something or other. Now I wonder what?”
“Now, auntie, that ain’t any harm,” pleaded Mary; “it’s only Tom’s giddy way—he is always in such a rush that he never thinks of anything.”
The King was about to reply contemptuously, when Hugo said, interrupting—
“So please your Majesty, he hath taken the life of a subject by poison.”
Tom’s poor mother and sisters travelled the same road out of his mind. At first he pined for them, sorrowed for them, longed to see them, but later, the thought of their coming some day in their rags and dirt, and betraying him with their kisses, and pulling him down from his lofty place, and dragging him back to penury and degradation and the slums, made him shudder. At last they ceased to trouble his thoughts almost wholly. And he was content, even glad: for, whenever their mournful and accusing faces did rise before him now, they made him feel more despicable than the worms that crawl.
“Ah, it came from without—I think from the copse yonder. Come, I will lead the way.”
And while Tom, in his high seat, was gazing upon this ‘wild’ dancing, lost in admiration of the dazzling commingling of kaleidoscopic colours which the whirling turmoil of gaudy figures below him presented, the ragged but real little Prince of Wales was proclaiming his rights and his wrongs, denouncing the impostor, and clamouring for admission at the gates of Guildhall! The crowd enjoyed this episode prodigiously, and pressed forward and craned their necks to see the small rioter. Presently they began to taunt him and mock at him, purposely to goad him into a higher and still more entertaining fury. Tears of mortification sprang to his eyes, but he stood his ground and defied the mob right royally. Other taunts followed, added mockings stung him, and he exclaimed—
He was the worst I ever struck. Well, the iron-jawed man he laughed right in his face. Everybody was shocked. Everybody says, “Why, doctor!” and Abner Shackleford says:
And so he went a-mooning on and on, liking to hear himself talk, and every little while he fetched in his funeral orgies again, till the duke he couldn’t stand it no more; so he writes on a little scrap of paper, “Obsequies, you old fool,” and folds it up, and goes to goo-gooing and reaching it over people’s heads to him. The king he reads it and puts it in his pocket, and says:
“My very words, Brer Penrod! I was a-sayin’—pass that-air sasser o’ m’lasses, won’t ye?—I was a-sayin’ to Sister Dunlap, jist this minute, how did they git that grindstone in there, s’I. Without help, mind you—’thout help! that’s wher ’tis. Don’t tell me, s’I; there wuz help, s’I; ’n’ ther’ wuz a plenty help, too, s’I; ther’s ben a dozen a-helpin’ that nigger, ’n’ I lay I’d skin every last nigger on this place but I’d find out who done it, s’I; ’n’ moreover, s’I—”
So we was all right now, as to the shirt and the sheet and the spoon and the candles, by the help of the calf and the rats and the mixed-up counting; and as to the candlestick, it warn’t no consequence, it would blow over by and by.
Well, I warn’t long making him understand I warn’t dead. I was ever so glad to see Jim. I warn’t lonesome now. I told him I warn’t afraid of him telling the people where I was. I talked along, but he only set there and looked at me; never said nothing. Then I says:
