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Practice and improve writing style.
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
Before he thought what he was doing the Elephant’s Child put out his trunk and plucked a large bundle of grass, dusted it clean against his fore-legs, and stuffed it into his own mouth.
‘I promised Suleiman-bin-Daoud that I wouldn’t,’ said the Butterfly, ‘and I don’t want to break my promise.’
‘Can’t curl, but can swim— Stickly-Prickly, that’s him! Curls up, but can’t swim— Slow-Solid, that’s him!’ Then they both curled themselves up and rolled round and round Painted Jaguar till his eyes turned truly cart-wheels in his head.
That very next morning, when there was nothing left of the Equinoxes, because the Precession had preceded according to precedent, this ‘satiable Elephant’s Child took a hundred pounds of bananas (the little short red kind), and a hundred pounds of sugar-cane (the long purple kind), and seventeen melons (the greeny-crackly kind), and said to all his dear families, ‘Goodbye. I am going to the great grey-green, greasy Limpopo River, all set about with fever-trees, to find out what the Crocodile has for dinner.’ And they all spanked him once more for luck, though he asked them most politely to stop.
‘Don’t bother grown-ups,’ said Tegumai, so busy with his spear-mending that he did not turn round.
“Well, I was thinking over the story, and after awhile I got out of bed and wrote down on a piece of paper the sort of stuff the men might be supposed to scratch on their oars with the edges of their handcuffs. It seemed to make the thing more lifelike. It is so real to me, y’know.”
“No. That’s news to me,” I answered, meekly, my heart beginning to beat.
“‘The runners have been very quick,’ says Billy Fish, with a little bit of a laugh. ‘They are waiting for us.’
“You will not”—he had dropped the Sir completely after his opening sentence—“make any escape that way. But you can try. I have tried. Once only.”
“‘What was that?’ said Olaf, standing On the quarter-deck, ‘Something heard I like the stranding Of a shattered wreck.’” “How could he have known how the ships crash and the oars rip out and go z-zzp all along the line? Why only the other night.... But go back please and read ‘The Skerry of Shrieks’ again.”
“Children, ye know the Gray Ape. He was then as he is now. At the first he made a wise face for himself, but in a little while he began to scratch and to leap up and down, and when Tha came back he found the Gray Ape hanging, head down, from a bough, mocking those who stood below; and they mocked him again. And so there was no Law in the Jungle—only foolish talk and senseless words.
“Uhh!” said the cow, dropping her head again to graze, “I thought it was Man.”
“I do not understand. Let Messua tell the tale.”
“Twice and thrice have men found their way here,” the White Cobra answered savagely; “but they never spoke till I came upon them groping in the dark, and then they cried only a little time. But ye come with lies, Man and Snake both, and would have me believe the city is not, and that my wardship ends. Little do men change in the years. But I change never! Till the stone is lifted, and the Brahmins come down singing the songs that I know, and feed me with warm milk, and take me to the light again, I—I—I, and no other, am the Warden of the King’s Treasure! The city is dead, ye say, and here are the roots of the trees? Stoop down, then, and take what ye will. Earth has no treasure like to these. Man with the snake’s tongue, if thou canst go alive by the way that thou hast entered it, the lesser Kings will be thy servants!”
“The mouth is hungry,” said Bagheera, “but the eyes say nothing. Hunting, eating, or swimming, it is all one—like a stone in wet or dry weather.” Mowgli looked at him lazily from under his long eyelashes, and, as usual, the panther’s head dropped. Bagheera knew his master.