Practice and improve writing style. Write like Hg Wells
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
XIII. The Trap of the White Sphinx “About eight or nine in the morning I came to the same seat of yellow metal from which I had viewed the world upon the evening of my arrival. I thought of my hasty conclusions upon that evening and could not refrain from laughing bitterly at my confidence. Here was the same beautiful scene, the same abundant foliage, the same splendid palaces and magnificent ruins, the same silver river running between its fertile banks. The gay robes of the beautiful people moved hither and thither among the trees. Some were bathing in exactly the place where I had saved Weena, and that suddenly gave me a keen stab of pain. And like blots upon the landscape rose the cupolas above the ways to the Underworld. I understood now what all the beauty of the Overworld people covered. Very pleasant was their day, as pleasant as the day of the cattle in the field. Like the cattle, they knew of no enemies and provided against no needs. And their end was the same.
“I got up after a time, and began walking aimlessly through the bushes towards the hill again. ‘Patience,’ said I to myself. ‘If you want your machine again you must leave that sphinx alone. If they mean to take your machine away, it’s little good your wrecking their bronze panels, and if they don’t, you will get it back as soon as you can ask for it. To sit among all those unknown things before a puzzle like that is hopeless. That way lies monomania. Face this world. Learn its ways, watch it, be careful of too hasty guesses at its meaning. In the end you will find clues to it all.’ Then suddenly the humour of the situation came into my mind: the thought of the years I had spent in study and toil to get into the future age, and now my passion of anxiety to get out of it. I had made myself the most complicated and the most hopeless trap that ever a man devised. Although it was at my own expense, I could not help myself. I laughed aloud.
I consented, hardly comprehending then the full import of his words, and he nodded and went on down the corridor. I heard the door of the laboratory slam, seated myself in a chair, and took up a daily paper. What was he going to do before lunch-time? Then suddenly I was reminded by an advertisement that I had promised to meet Richardson, the publisher, at two. I looked at my watch, and saw that I could barely save that engagement. I got up and went down the passage to tell the Time Traveller.
“Yes,” said the Time Traveller, with his mouth full, nodding his head.
“Not a bit,” said the Time Traveller, and, to the Psychologist: “You think. You can explain that. It’s presentation below the threshold, you know, diluted presentation.”
“That’s better,” said Moreau, without affectation. “As it is, you have wasted the best part of my day with your confounded imagination.” And with a touch of contempt which humiliated me, he and Montgomery turned and went on in silence before me.
By this time Montgomery had recovered from the surprise of my question. “I always thought,” he said deliberately, with a certain accentuation of his flavouring of lisp, “that there was something the matter with his ears, from the way he covered them. What were they like?”
“None escape,” said I. “Therefore hear and do as I command.” They stood up, looking questioningly at one another.
II. THE MAN WHO WAS GOING NOWHERE. The cabin in which I found myself was small and rather untidy. A youngish man with flaxen hair, a bristly straw-coloured moustache, and a dropping nether lip, was sitting and holding my wrist. For a minute we stared at each other without speaking. He had watery grey eyes, oddly void of expression. Then just overhead came a sound like an iron bedstead being knocked about, and the low angry growling of some large animal. At the same time the man spoke. He repeated his question,—“How do you feel now?”
I was on the slope above the bushes; Montgomery and Moreau beat along the beach beneath. Slowly we pushed in among the fretted network of branches and leaves. The quarry was silent.
Mr. Hall marched up the steps, marched straight to the door of the parlour and flung it open. “Constable,” he said, “do your duty.”
Mr. Huxter was stunned. Henfrey stopped to discover this, but Hall and the two labourers from the Tap rushed at once to the corner, shouting incoherent things, and saw Mr. Marvel vanishing by the corner of the church wall. They appear to have jumped to the impossible conclusion that this was the Invisible Man suddenly become visible, and set off at once along the lane in pursuit. But Hall had hardly run a dozen yards before he gave a loud shout of astonishment and went flying headlong sideways, clutching one of the labourers and bringing him to the ground. He had been charged just as one charges a man at football. The second labourer came round in a circle, stared, and conceiving that Hall had tumbled over of his own accord, turned to resume the pursuit, only to be tripped by the ankle just as Huxter had been. Then, as the first labourer struggled to his feet, he was kicked sideways by a blow that might have felled an ox.
“But a fool of a cabman, standing outside a public house, made a sudden rush for this, and his extending fingers took me with excruciating violence under the ear. I let the whole down with a smash on the cabman, and then, with shouts and the clatter of feet about me, people coming out of shops, vehicles pulling up, I realised what I had done for myself, and cursing my folly, backed against a shop window and prepared to dodge out of the confusion. In a moment I should be wedged into a crowd and inevitably discovered. I pushed by a butcher boy, who luckily did not turn to see the nothingness that shoved him aside, and dodged behind the cab-man’s four-wheeler. I do not know how they settled the business. I hurried straight across the road, which was happily clear, and hardly heeding which way I went, in the fright of detection the incident had given me, plunged into the afternoon throng of Oxford Street.
“At last I reached the object of my quest, a dirty, fly-blown little shop in a by-way near Drury Lane, with a window full of tinsel robes, sham jewels, wigs, slippers, dominoes and theatrical photographs. The shop was old-fashioned and low and dark, and the house rose above it for four storeys, dark and dismal. I peered through the window and, seeing no one within, entered. The opening of the door set a clanking bell ringing. I left it open, and walked round a bare costume stand, into a corner behind a cheval glass. For a minute or so no one came. Then I heard heavy feet striding across a room, and a man appeared down the shop.
A resounding smash of glass came from upstairs. Adye had a silvery glimpse of a little revolver half out of Kemp’s pocket. “It’s a window, upstairs!” said Kemp, and led the way up. There came a second smash while they were still on the staircase. When they reached the study they found two of the three windows smashed, half the room littered with splintered glass, and one big flint lying on the writing table. The two men stopped in the doorway, contemplating the wreckage. Kemp swore again, and as he did so the third window went with a snap like a pistol, hung starred for a moment, and collapsed in jagged, shivering triangles into the room.
