Practice and improve writing style. Write like Hg Wells
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
XXI. THE REVERSION OF THE BEAST FOLK. In this way I became one among the Beast People in the Island of Doctor Moreau. When I awoke, it was dark about me. My arm ached in its bandages. I sat up, wondering at first where I might be. I heard coarse voices talking outside. Then I saw that my barricade had gone, and that the opening of the hut stood clear. My revolver was still in my hand.
He stood in my way, so that I had perforce to tap his shoulder to come on deck. He came round with a start, and staggered back a few paces to stare at me. It needed no expert eye to tell that the man was still drunk.
“Damn!” he said, over his first mouthful of food. He stared at me for a moment, and then repeated, “Pointed ears?”
“I wish I’d been. But it’s no use locking the door after the steed is stolen. It was that infernal stuff which led to my coming here,—that, and a foggy night. I thought myself in luck at the time, when Moreau offered to get me off. It’s queer—”
So I drifted for three days, eating and drinking sparingly, and meditating upon all that had happened to me,—not desiring very greatly then to see men again. One unclean rag was about me, my hair a black tangle: no doubt my discoverers thought me a madman.
“One might get one’s Greek from the very lips of Homer and Plato,” the Very Young Man thought.
“So most people think. But wait a moment. Can an instantaneous cube exist?”
“As the eastern sky grew brighter, and the light of the day came on and its vivid colouring returned upon the world once more, I scanned the view keenly. But I saw no vestige of my white figures. They were mere creatures of the half-light. ‘They must have been ghosts,’ I said; ‘I wonder whence they dated.’ For a queer notion of Grant Allen’s came into my head, and amused me. If each generation die and leave ghosts, he argued, the world at last will get overcrowded with them. On that theory they would have grown innumerable some Eight Hundred Thousand Years hence, and it was no great wonder to see four at once. But the jest was unsatisfying, and I was thinking of these figures all the morning, until Weena’s rescue drove them out of my head. I associated them in some indefinite way with the white animal I had startled in my first passionate search for the Time Machine. But Weena was a pleasant substitute. Yet all the same, they were soon destined to take far deadlier possession of my mind.
“The material of the Palace proved on examination to be indeed porcelain, and along the face of it I saw an inscription in some unknown character. I thought, rather foolishly, that Weena might help me to interpret this, but I only learnt that the bare idea of writing had never entered her head. She always seemed to me, I fancy, more human than she was, perhaps because her affection was so human.
“It troubled her greatly, but in the end her odd affection for me triumphed, and for five of the nights of our acquaintance, including the last night of all, she slept with her head pillowed on my arm. But my story slips away from me as I speak of her. It must have been the night before her rescue that I was awakened about dawn. I had been restless, dreaming most disagreeably that I was drowned, and that sea anemones were feeling over my face with their soft palps. I woke with a start, and with an odd fancy that some greyish animal had just rushed out of the chamber. I tried to get to sleep again, but I felt restless and uncomfortable. It was that dim grey hour when things are just creeping out of darkness, when everything is colourless and clear cut, and yet unreal. I got up, and went down into the great hall, and so out upon the flagstones in front of the palace. I thought I would make a virtue of necessity, and see the sunrise.
The stranger came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. He was wrapped up from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose; the snow had piled itself against his shoulders and chest, and added a white crest to the burden he carried. He staggered into the “Coach and Horses” more dead than alive, and flung his portmanteau down. “A fire,” he cried, “in the name of human charity! A room and a fire!” He stamped and shook the snow from off himself in the bar, and followed Mrs. Hall into her guest parlour to strike his bargain. And with that much introduction, that and a couple of sovereigns flung upon the table, he took up his quarters in the inn.
“I should explain,” he added, “what I was really too cold and fatigued to do before, that I am an experimental investigator.”
“One thing is indisputable,” said Bunting, drawing up a chair next to that of Cuss. “There certainly have been very strange things happen in Iping during the last few days—very strange. I cannot of course believe in this absurd invisibility story—”
Kemp read this letter twice, “It’s no hoax,” he said. “That’s his voice! And he means it.”
He was so odd, standing there, so aggressive and explosive, bottle in one hand and test-tube in the other, that Mrs. Hall was quite alarmed. But she was a resolute woman. “In which case, I should like to know, sir, what you consider—”