Practice and improve writing style. Write like Arthur Conan Doyle
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“Yes; that is Mr. St. Clair’s house. I am staying there while I conduct the inquiry.”
“No, I shall commence with the City. Just ring the bell and the maid will bring up your coffee.”
A slow and heavy step, which had been heard upon the stairs and in the passage, paused immediately outside the door. Then there was a loud and authoritative tap.
“I see that you have had some great trouble,” responded Holmes.
“There you are,” said he. “That circle is drawn at a radius of ten miles from the village. The place we want must be somewhere near that line. You said ten miles, I think, sir.”
“Gentlemen,” he cried, “let me introduce you to the famous black pearl of the Borgias.”
“Look here, my man,” said he. “This is really rather an awkward fix for me. I don’t mind how I get on.”
On this particular evening, Lestrade had spoken of the weather and the newspapers. Then he had fallen silent, puffing thoughtfully at his cigar. Holmes looked keenly at him.
“You’re the man we want to see. Where is Miss Violet Smith?” he said, in his quick, clear way.
Holmes took his hat and shrugged his shoulders. “I am sorry,” he said, and without another word we left the room and the house. There was a pond in the park, and to this my friend led the way. It was frozen over, but a single hole was left for the convenience of a solitary swan. Holmes gazed at it, and then passed on to the lodge gate. There he scribbled a short note for Stanley Hopkins, and left it with the lodge-keeper.
The two men had stopped opposite the window. Some chalk marks over the waistcoat pocket were the only signs of billiards which I could see in one of them. The other was a very small, dark fellow, with his hat pushed back and several packages under his arm.
V.The “Gloria Scott” “I have some papers here,” said my friend Sherlock Holmes, as we sat one winter’s night on either side of the fire, “which I really think, Watson, that it would be worth your while to glance over. These are the documents in the extraordinary case of the Gloria Scott, and this is the message which struck Justice of the Peace Trevor dead with horror when he read it.”
“The matter does not rest with Colonel Ross. I follow my own methods, and tell as much or as little as I choose. That is the advantage of being unofficial. I don’t know whether you observed it, Watson, but the Colonel’s manner has been just a trifle cavalier to me. I am inclined now to have a little amusement at his expense. Say nothing to him about the horse.”
“‘“Hallao, chummy!” said he, “what’s your name, and what are you here for?”
“He was an elderly man, thin, demure, and commonplace—by no means the conception one forms of a Russian nobleman. I was much more struck by the appearance of his companion. This was a tall young man, surprisingly handsome, with a dark, fierce face, and the limbs and chest of a Hercules. He had his hand under the other’s arm as they entered, and helped him to a chair with a tenderness which one would hardly have expected from his appearance.
