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Practice and improve writing style. Write like Arthur Conan Doyle
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“Oh, no, Mr. Holmes—nothing very particular.”
“Well, Mr. Holmes, have you solved this mystery yet?” He shoved the large tin of cigarettes which stood on a table beside him towards my companion. Holmes stretched out his hand at the same moment, and between them they tipped the box over the edge. For a minute or two we were all on our knees retrieving stray cigarettes from impossible places. When we rose again, I observed Holmes’s eyes were shining and his cheeks tinged with colour. Only at a crisis have I seen those battle-signals flying.
The strong, masterful personality of Holmes dominated the tragic scene, and all were equally puppets in his hands. Williamson and Carruthers found themselves carrying the wounded Woodley into the house, and I gave my arm to the frightened girl. The injured man was laid on his bed, and at Holmes’s request I examined him. I carried my report to where he sat in the old tapestry-hung dining-room with his two prisoners before him.
“Exactly, Mr. Holmes. I appreciated that point, and I conjectured that it was dropped by the murderer in his hurried flight. It lay near the door.”
“No, sir. Down at the station they are certain that no stranger either came or went yesterday.”
“Well, last Monday evening I was taking a stroll down that way, when I met an empty van coming up the lane, and saw a pile of carpets and things lying about on the grass-plot beside the porch. It was clear that the cottage had at last been let. I walked past it, and wondered what sort of folk they were who had come to live so near us. And as I looked I suddenly became aware that a face was watching me out of one of the upper windows.
“I was sure of it from the first.” The two sat down together in the bow-window of the club. “To any one who wishes to study mankind this is the spot,” said Mycroft. “Look at the magnificent types! Look at these two men who are coming towards us, for example.”
“My dear Mycroft, the brother’s life is more valuable than the sister’s story. I think we should call at Scotland Yard for Inspector Gregson, and go straight out to Beckenham. We know that a man is being done to death, and every hour may be vital.”
“Certainly, if you wish it, Mr. Holmes,” said the girl in astonishment.
“Ah, a scent of tobacco would have been worth a great deal to us in such an investigation.”
Lord St. Simon shook his head. “I am afraid that it will take wiser heads than yours or mine,” he remarked, and bowing in a stately, old-fashioned manner he departed.
“Now, then, mister,” said he, with his head cocked and his arms akimbo, “what are you driving at? Let’s have it straight, now.”
He had risen from his chair and was standing between the parted blinds gazing down into the dull neutral-tinted London street. Looking over his shoulder, I saw that on the pavement opposite there stood a large woman with a heavy fur boa round her neck, and a large curling red feather in a broad-brimmed hat which was tilted in a coquettish Duchess of Devonshire fashion over her ear. From under this great panoply she peeped up in a nervous, hesitating fashion at our windows, while her body oscillated backward and forward, and her fingers fidgeted with her glove buttons. Suddenly, with a plunge, as of the swimmer who leaves the bank, she hurried across the road, and we heard the sharp clang of the bell.
“Let me see!” said Holmes. “Hum! Born in New Jersey in the year 1858. Contralto—hum! La Scala, hum! Prima donna Imperial Opera of Warsaw—yes! Retired from operatic stage—ha! Living in London—quite so! Your Majesty, as I understand, became entangled with this young person, wrote her some compromising letters, and is now desirous of getting those letters back.”
“A proposition which I took the liberty of doubting.”