Practice and improve writing style. Write like Arthur Conan Doyle
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“Gone to the nearest public-house. That is the centre of country gossip. They would have told you every name, from the master to the scullery-maid. Williamson? It conveys nothing to my mind. If he is an elderly man he is not this active cyclist who sprints away from that young lady’s athletic pursuit. What have we gained by your expedition? The knowledge that the girl’s story is true. I never doubted it. That there is a connection between the cyclist and the Hall. I never doubted that either. That the Hall is tenanted by Williamson. Who’s the better for that? Well, well, my dear sir, don’t look so depressed. We can do little more until next Saturday, and in the meantime I may make one or two inquiries myself.”
“You say that she must have come back this way?”
“And yet the problem should be capable of ultimate solution. I shall be very happy to look into it. Have you been able to trace any connection between the missing boy and this German master?”
“Not at all, your Grace. I was never more earnest in my life.”
“No, my dear fellow, you will go down. This may be some trifling intrigue, and I cannot break my other important research for the sake of it. On Monday you will arrive early at Farnham; you will conceal yourself near Charlington Heath; you will observe these facts for yourself, and act as your own judgment advises. Then, having inquired as to the occupants of the Hall, you will come back to me and report. And now, Watson, not another word of the matter until we have a few solid stepping-stones on which we may hope to get across to our solution.”
“‘It shall not go to villains. They are starving me.’
“Ah! then you must have overlooked it. Just toss it over to me. Here it is, under the financial column. Perhaps you would be good enough to read it aloud.”
“Not a word. He lives at the lodge with his mother, and as he was a very faithful fellow we imagine that he walked up to the house with the intention of seeing that all was right there. Of course this Acton business has put every one on their guard. The robber must have just burst open the door—the lock has been forced—when William came upon him.”
We were in time to overtake the major before he reached the corner.
“Well, I must confess that it beats me. It was a cool hand, whoever it was, to go and give the alarm like that.”
“You speak of danger. You have evidently seen more in these rooms than was visible to me.”
“You must not fear,” said he soothingly, bending forward and patting her forearm. “We shall soon set matters right, I have no doubt. You have come in by train this morning, I see.”
“‘But,’ said I, ‘there would be millions of red-headed men who would apply.’
A man entered who could hardly have been less than six feet six inches in height, with the chest and limbs of a Hercules. His dress was rich with a richness which would, in England, be looked upon as akin to bad taste. Heavy bands of astrakhan were slashed across the sleeves and fronts of his double-breasted coat, while the deep blue cloak which was thrown over his shoulders was lined with flame-coloured silk and secured at the neck with a brooch which consisted of a single flaming beryl. Boots which extended halfway up his calves, and which were trimmed at the tops with rich brown fur, completed the impression of barbaric opulence which was suggested by his whole appearance. He carried a broad-brimmed hat in his hand, while he wore across the upper part of his face, extending down past the cheekbones, a black vizard mask, which he had apparently adjusted that very moment, for his hand was still raised to it as he entered. From the lower part of the face he appeared to be a man of strong character, with a thick, hanging lip, and a long, straight chin suggestive of resolution pushed to the length of obstinacy.
“Tut! tut!” cried Sherlock Holmes. “You must act, man, or you are lost. Nothing but energy can save you. This is no time for despair.”
