Practice and improve writing style. Write like Mark Twain
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“No—it isn't mine. Only four ducats are mine; the rest...!” He fell to dreaming, poor old soul, and caressing some of the coins in his hands, and forgot where he was, sitting there on his heels with his old gray head bare; it was pitiful to see. “No,” he said, waking up, “it isn't mine. I can't account for it. I think some enemy... it must be a trap.”
“It is yours, Father Peter, and we are witness to it. Aren't we, boys?”
“Don't cry,” Satan said; “they were of no value.”
He looked down, surprised, over his great spectacles, and said, “Why, it is the faculty which enables us to distinguish good from evil.”
“I said: 'Your sentiments do you honor, but if you will allow me to say it, metaphor is not your best hold. Spare your thigh; this kind light only on the box, and seldom there, in fact, if my experience may be trusted. But to return to business: how did you get in here?'
“Who cares!” said Tom. “Nobody wants you to. Go ’long home and get laughed at. Oh, you’re a nice pirate. Huck and me ain’t crybabies. We’ll stay, won’t we, Huck? Let him go if he wants to. I reckon we can get along without him, per’aps.”
“It was within three feet of Muff Potter when it done it.”
“Oh yes! Why, it seems ’bout a year ago. It was that very night that I follered Injun Joe to the widder’s.”
After breakfast his aunt took him aside, and Tom almost brightened in the hope that he was going to be flogged; but it was not so. His aunt wept over him and asked him how he could go and break her old heart so; and finally told him to go on, and ruin himself and bring her gray hairs with sorrow to the grave, for it was no use for her to try any more. This was worse than a thousand whippings, and Tom’s heart was sorer now than his body. He cried, he pleaded for forgiveness, promised to reform over and over again, and then received his dismissal, feeling that he had won but an imperfect forgiveness and established but a feeble confidence.
“Well, it just does, Tom. And who’ll we rob?”
“Ain’t you a sweet-scented dandy, though? A bed; and bedclothes; and a look’n’-glass; and a piece of carpet on the floor—and your own father got to sleep with the hogs in the tanyard. I never see such a son. I bet I’ll take some o’ these frills out o’ you before I’m done with you. Why, there ain’t no end to your airs—they say you’re rich. Hey?—how’s that?”
I lit a pipe and had a good long smoke, and went on watching. The ferryboat was floating with the current, and I allowed I’d have a chance to see who was aboard when she come along, because she would come in close, where the bread did. When she’d got pretty well along down towards me, I put out my pipe and went to where I fished out the bread, and laid down behind a log on the bank in a little open place. Where the log forked I could peep through.
“Looky here—mind how you talk to me; I’m a-standing about all I can stand now—so don’t gimme no sass. I’ve been in town two days, and I hain’t heard nothing but about you bein’ rich. I heard about it away down the river, too. That’s why I come. You git me that money to-morrow—I want it.”
He kept me with him all the time, and I never got a chance to run off. We lived in that old cabin, and he always locked the door and put the key under his head nights. He had a gun which he had stole, I reckon, and we fished and hunted, and that was what we lived on. Every little while he locked me in and went down to the store, three miles, to the ferry, and traded fish and game for whisky, and fetched it home and got drunk and had a good time, and licked me. The widow she found out where I was by and by, and she sent a man over to try to get hold of me; but pap drove him off with the gun, and it warn’t long after that till I was used to being where I was, and liked it—all but the cowhide part.
The duke never said nothing for a little bit; then he says:
