Practice and improve writing style. Write like Mark Twain
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“Say, Huck, if we find a treasure here, what you going to do with your share?”
“Tom, you pitch around and talk in your sleep so much that you keep me awake half the time.”
By this time he was far down Meadow Lane, and the bell for school to “take up” tinkled faintly upon his ear. He sobbed, now, to think he should never, never hear that old familiar sound any more—it was very hard, but it was forced on him; since he was driven out into the cold world, he must submit—but he forgave them. Then the sobs came thick and fast.
Tom glanced at Injun Joe’s iron face and his tongue failed him. The audience listened breathless, but the words refused to come. After a few moments, however, the boy got a little of his strength back, and managed to put enough of it into his voice to make part of the house hear:
“What is it, Tom?” And the two clung together with beating hearts.
At the graveyard the body of little Lisa was seized for debt by a carpenter to whom the mother owed fifty groschen for work done the year before. She had never been able to pay this, and was not able now. The carpenter took the corpse home and kept it four days in his cellar, the mother weeping and imploring about his house all the time; then he buried it in his brother's cattle-yard, without religious ceremonies. It drove the mother wild with grief and shame, and she forsook her work and went daily about the town, cursing the carpenter and blaspheming the laws of the emperor and the church, and it was pitiful to see. Seppi asked Satan to interfere, but he said the carpenter and the rest were members of the human race and were acting quite neatly for that species of animal. He would interfere if he found a horse acting in such a way, and we must inform him when we came across that kind of horse doing that kind of human thing, so that he could stop it. We believed this was sarcasm, for of course there wasn't any such horse.
We did not look at the things; we couldn't take any interest in anything but the clock. We sat staring at it in silence, listening to the ticking, and every time the minute-hand jumped we nodded recognition—one minute fewer to cover in the race for life or for death. Finally Seppi drew a deep breath and said:
But he went on talking right along, and worked his enchantments upon us again with that fatal music of his voice. He made us forget everything; we could only listen to him, and love him, and be his slaves, to do with us as he would. He made us drunk with the joy of being with him, and of looking into the heaven of his eyes, and of feeling the ecstasy that thrilled along our veins from the touch of his hand.
But Father Peter took no stock in the astrologer. He denounced him openly as a charlatan—a fraud with no valuable knowledge of any kind, or powers beyond those of an ordinary and rather inferior human being, which naturally made the astrologer hate Father Peter and wish to ruin him. It was the astrologer, as we all believed, who originated the story about Father Peter's shocking remark and carried it to the bishop. It was said that Father Peter had made the remark to his niece, Marget, though Marget denied it and implored the bishop to believe her and spare her old uncle from poverty and disgrace. But the bishop wouldn't listen. He suspended Father Peter indefinitely, though he wouldn't go so far as to excommunicate him on the evidence of only one witness; and now Father Peter had been out a couple of years, and our other priest, Father Adolf, had his flock.
So the money could speak, after all, though that lawyer thought it couldn't. The court rose, and almost everybody came forward to shake hands with Marget and congratulate her, and then to shake with Wilhelm and praise him; and Satan had stepped out of Wilhelm and was standing around looking on full of interest, and people walking through him every which way, not knowing he was there. And Wilhelm could not explain why he only thought of the date on the coins at the last moment, instead of earlier; he said it just occurred to him, all of a sudden, like an inspiration, and he brought it right out without any hesitation, for, although he didn't examine the coins, he seemed, somehow, to know it was true. That was honest of him, and like him; another would have pretended he had thought of it earlier, and was keeping it back for a surprise.
The high hedge hid him from the house, now; and so, under the impulse of a deadly fright, he let out all his forces and sped toward a wood in the distance. He never looked back until he had almost gained the shelter of the forest; then he turned and descried two figures in the distance. That was sufficient; he did not wait to scan them critically, but hurried on, and never abated his pace till he was far within the twilight depths of the wood. Then he stopped; being persuaded that he was now tolerably safe. He listened intently, but the stillness was profound and solemn—awful, even, and depressing to the spirits. At wide intervals his straining ear did detect sounds, but they were so remote, and hollow, and mysterious, that they seemed not to be real sounds, but only the moaning and complaining ghosts of departed ones. So the sounds were yet more dreary than the silence which they interrupted.
The King’s manner changed at once. He cried out—
“Fathers be alike, mayhap. Mine hath not a doll’s temper. He smiteth with a heavy hand, yet spareth me: he spareth me not always with his tongue, though, sooth to say. How doth thy mother use thee?”
“But, good your Majesty, there’s nought that needeth simplifying.—None may visit the sacred person of the Prince of Wales with blows; wherefore, when he faulteth, ’tis I that take them; and meet it is and right, for that it is mine office and my livelihood.” {1}
“Nay, be not too hasty. See thou be careful and commit no foolish error,”—then he shut his voice down to a whisper, and said in the man’s ear—“the pig thou hast purchased for eightpence may cost thee thy neck, man!”
