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Practice and improve writing style. Write like Ernest Hemingway
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
'Very wonderful and quite rare,' the Colonel said. 'I was thinking just now of a man named Georgie Patton who possibly never told the truth in his life.'
'I know now is enough,' the Colonel said. 'Ettore, that character with the inspiring face and the nice looking woman with him doesn't live at the Gritti does he?'
'Then learn it the hard way. Don't you know people don't give answers to such questions?'
There was no time to write Renata a note. But what could I say, in a note, that we did not say?
'Did they talk like that out West when you were a boy? What would you say at breakfast?'
The Project Gutenberg eBook of The Sun Also Rises by Ernest Hemingway CHAPTER 4 The taxi went up the hill, passed the lighted square, then on into the dark, still climbing, then levelled out onto a dark street behind St. Etienne du Mont, went smoothly down the asphalt, passed the trees and the standing bus at the Place de la Contrescarpe, then turned onto the cobbles of the Rue Mouffetard. There were lighted bars and late open shops on each side of the street. We were sitting apart and we jolted close together going down the old street. Brett’s hat was off. Her head was back. I saw her face in the lights from the open shops, then it was dark, then I saw her face clearly as we came out on the Avenue des Gobelins. The street was torn up and men were working on the car-tracks by the light of acetylene flares. Brett’s face was white and the long line of her neck showed in the bright light of the flares. The street was dark again and I kissed her. Our lips were tight together and then she turned away and pressed against the corner of the seat, as far away as she could get. Her head was down.
“Why not?” Bill said. “Of course they’ll come.”
It was a good morning, there were high white clouds above the mountains. It had rained a little in the night and it was fresh and cool on the plateau, and there was a wonderful view. We all felt good and we felt healthy, and I felt quite friendly to Cohn. You could not be upset about anything on a day like that.
“He was an ass, though. He came down to San Sebastian where he damn well wasn’t wanted. He hung around Brett and just looked at her. It made me damned well sick.”
I looked at the clock. It was half-past four. “Had no idea what hour it was,” Brett said. “I say, can a chap sit down? Don’t be cross, darling. Just left the count. He brought me here.”
; One understands the action of our brother Basilio.'
Inside it was quite dark. A big porcelain stove shone in the corner of the room. There was a low ceiling. Smooth benches back of dark, wine-stained tables were along each side of the rooms. Two Swiss sat over their pipes and two decies of cloudy new wine next to the stove. The boys took off their jackets and sat against the wall on the other side of the stove. A voice in the next room stopped singing and a girl in a blue apron came in through the door to see what they wanted to drink.
'You can't fire me,' William Campbell said from underneath the covers. It was warm and white and close under the covers. c You can't fire me because I've got down off my bicycle. 5
He handed Nick the cup and smoothed the coat he had placed under the unconscious man's head.
The road came out of the orchard on to the top of the hill. There was the cottage, the porch bare, smoke coming from the chimney. In back was the garage, the chicken coop and the second-growth timber like a hedge against the woods behind. The big trees swayed far over in the wind as he watched. It was the first of the autumn storms.