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Practice and improve writing style. Write like Charles Dickens
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“As long as you don’t know whether they are in that room or not, you are uncertain what to do,” said Miss Pross to herself; “and you shall not know that, if I can prevent your knowing it; and know that, or not know that, you shall not leave here while I can hold you.”
Not before dark night did the men and women come back to the children, wailing and breadless. Then, the miserable bakers’ shops were beset by long files of them, patiently waiting to buy bad bread; and while they waited with stomachs faint and empty, they beguiled the time by embracing one another on the triumphs of the day, and achieving them again in gossip. Gradually, these strings of ragged people shortened and frayed away; and then poor lights began to shine in high windows, and slender fires were made in the streets, at which neighbours cooked in common, afterwards supping at their doors.
“Dearest dear! Can you tell me, this last time, that you feel quite, quite sure, no new affections of mine, and no new duties of mine, will ever interpose between us? I know it well, but do you know it? In your own heart, do you feel quite certain?”
After a gloomy silence, the first Jacques said, “Good! You have acted and recounted faithfully. Will you wait for us a little, outside the door?”
They shook hands upon it, and Sydney turned away. Within a minute afterwards, he was, to all outward appearance, as unsubstantial as ever.
And Joe got in beside me, and we drove away together into the country, where the rich summer growth was already on the trees and on the grass, and sweet summer scents filled all the air. The day happened to be Sunday, and when I looked on the loveliness around me, and thought how it had grown and changed, and how the little wild-flowers had been forming, and the voices of the birds had been strengthening, by day and by night, under the sun and under the stars, while poor I lay burning and tossing on my bed, the mere remembrance of having burned and tossed there came like a check upon my peace. But when I heard the Sunday bells, and looked around a little more upon the outspread beauty, I felt that I was not nearly thankful enough,—that I was too weak yet to be even that,—and I laid my head on Joe’s shoulder, as I had laid it long ago when he had taken me to the Fair or where not, and it was too much for my young senses.
“So new to him,” she muttered, “so old to me; so strange to him, so familiar to me; so melancholy to both of us! Call Estella.”
“I suppose it will be difficult for you to remain here now, Biddy dear?”
“That’s nigher where it is,” said Joe; “she ain’t living.”
“Miss Havisham,” I said, when her cry had died away, “you may dismiss me from your mind and conscience. But Estella is a different case, and if you can ever undo any scrap of what you have done amiss in keeping a part of her right nature away from her, it will be better to do that than to bemoan the past through a hundred years.”
Oliver lingered no longer, but meekly followed his new mistress.
“Let me stand, lady,” said the girl, still weeping, “and do not speak to me so kindly till you know me better. It is growing late. Is—is—that door shut?”
Noah, whose top waistcoat-button might have been somewhere on a level with the crown of Oliver’s head, rubbed his eyes with the inside of his wrists while this commiseration was bestowed upon him, and performed some affecting tears and sniffs.
This salutation was addressed to Mr. Brownlow, who had stepped up to within a short distance of the respectable couple. He inquired, as he pointed to Monks,
“That’s for your people,” said the guard. “Now, look alive in there, will you. Damn that ’ere bag, it warn’t ready night afore last; this won’t do, you know!”