Practice and improve writing style. Write like Agatha Christie
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
Suzanne’s sense of humour always fails her when it comes to sending cables. She considered my suggestion in perfectly good faith.
I think I shall appoint you my literary executor. I’m sending you my diary. There’s nothing in it that would interest Race and his crowd, but I fancy that there are passages in it which may amuse you. Make use of it in any way you like. I suggest an article for the Daily Budget, “Criminals I have met.” I only stipulate that I shall be the central figure.
“Harry, you idiot. It’s you I want—and that’s all that matters.”
“No. I’ll have no truck with you or with any woman. Do your damnedest.”
Nadina laughed softly. “You need suppose nothing of the sort. I am not a fool. The diamonds are in a safe place where no one will dream of looking for them.”
“I want you to ascertain for me exactly how much is newspaper chatter, and how much may be said to be founded on fact? Three deaths, Monsieur Poirot—each one explicable taken by itself, but taken together surely an almost unbelievable coincidence, and all within a month of the opening of the tomb! It may be mere superstition, it may be some potent curse from the past that operates in ways undreamed of by modern science. The fact remains—three deaths! And I am afraid, Monsieur Poirot, horribly afraid. It may not yet be the end.”
“Certainly. The police have finished with it. But the body has been removed.”
“What terrible voice? Who is it, and what’s the trouble?”
“C’est ça. After the master and mistress, the maid. The flat should now be empty.”
“One moment, if you please. Who is this Captain Daniels? You have his dossier?”
“Why didn’t you tell me that night at the hotel in Coventry?”
Never, in all my life, have I seen anything to equal the blank amazement on Stonor’s face. He was thoroughly taken aback.
“You will pardon me, M. Stonor, but we must begin with a few formalities. Your name?”
“Did you know all the time that it was—the other?”
“Of course he did,” said Poirot contemptuously. “Even in Santiago they know enough for that. The veriest amateur of an English Mees knows it—thanks to the publicity the Bertillon system has been given in the Press. All the same, it interests me very much that there were no finger-prints. It is so amazingly simple to leave the finger-prints of some one else! And then the police are happy.” He shook his head. “I very much fear our criminal is not a man of method—either that or he was pressed for time. But we shall see.”
