Practice and improve writing style. Write like Agatha Christie
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“How could I ask her?” muttered the boy. “After all that has happened, could I go to her and—oh, what sort of a lame story could I tell?”
“No,” continued Poirot, “we must look elsewhere for a solution of the open door mystery. One thing I am fairly sure of—they did not leave through the door. They left by the window.”
“I have no doubt that many people feel as you do,” I exclaimed. “There is really absurdly little evidence against him. I should say that there was no doubt of his acquittal—no doubt whatever.”
“He was a well meaning ass, I suppose,” said Jack. “But he worried me horribly. You see, I couldn’t very well take him into my confidence. But, my God! what’s going to happen about Bella?”
“You think profoundly, my friend,” remarked Poirot, breaking in upon my reflections. “What is it that intrigues you so?”
“H’m,” I said. “I rather fancy that’s the girl who used to act at the Frivolity—only she called herself Zoe Carrisbrook. I remember she married some young man about town just before the war.”
She accompanied me to the scene of the crime. At that moment Havering entered the hall, and with a quick apology, his wife ran to him. I was left to undertake my investigations alone.
It is suggested that the reader pause in his perusal of the story at this point, make his own solution of the mystery—and then see how close he comes to that of the author—The Editors.
“I think not. There is something peculiarly elusive about that housekeeper—don’t you think so? It struck me at once.”
“Yes, yes,” my little friend continued. “Once more shall I be myself again, the great Hercule Poirot, the terror of evildoers! Figure to yourself, mon ami, that I have a little paragraph to myself in Society Gossip. But yes! Here it is!
Alec Simpson, R. N., stepped from the platform at Newton Abbot into a first-class compartment of the Plymouth Express. A porter followed him with a heavy suitcase. He was about to swing it up to the rack, but the young sailor stopped him.
“Old chap’s getting on in years,” he observed beneath his breath to me. “That wont do for us young folk,” he said aloud.
“I did him a little service in the past—an affair of bearer bonds. And once, when I was in Paris for a royal visit, I had Mademoiselle Flossie pointed out to me. La jolie petite pensionnaire! She had the jolie dot too! It caused trouble. She nearly made a bad affair.”
A moment later a cry rang out into the night, and the great train came to an unwilling halt in obedience to the imperative jerking of the communication-cord.
“Is there nothing to account for your daughter’s sudden change of plan?”
