Practice and improve writing style. Write like Agatha Christie
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“The more I thought of it, the more I was convinced that he had nothing to do with it. That gentleman is much too careful of his own skin to risk murder. It would be out of keeping with his character.”
“Yes. The Count says: ‘Before very long, and perhaps sooner than you think.’ Obviously he would not want to wait until you should get wind of his reappearance. Was it he who traveled down from London by the twelve-fourteen, and came along the corridor to your daughter’s compartment? The Count de la Rochefour is also, if I remember rightly, tall and dark!”
Doors banged; a stentorian voice shouted: “Plymouth only. Change for Torquay. Plymouth next stop.” Then a whistle blew, and the train drew slowly out of the station.
“A certain Count de la Rochefour. Un bien mauvais sujet! A bad hat, as you would say. An adventurer pure and simple, who knew how to appeal to a romantic young girl. Luckily her father got wind of it in time. He took her back to America in haste. I heard of her marriage some years later, but I know nothing of her husband.”
When we drew up before Halliday’s house, he skipped out nimbly, paid the driver and rang the bell. To the footman who opened the door he made a request in a low voice, and we were immediately taken upstairs. We went up to the top of the house, and were shown into a small neat bedroom.
“And, anyway,” I said, with increasing coldness, “as Mrs. Inglethorp took her coffee upstairs with her, I do not see what you expect to find, unless you consider it likely that we shall discover a packet of strychnine on the coffee tray!”
“Did you not put two and two together, and reflect that if it was not Alfred Inglethorp who was quarrelling with his wife—and you remember, he strenuously denied it at the inquest—it must be either Lawrence or John. Now, if it was Lawrence, Mary Cavendish’s conduct was just as inexplicable. But if, on the other hand, it was John, the whole thing was explained quite naturally.”
“Really, Sir Ernest,” protested the judge, “these questions are not relevant.”
“He’s a dear little man,” said Cynthia. “I’d no idea you knew him.”
“Well, sir, nothing much. She just told Willum to go on his bicycle down to the village, and bring back a form of will, or such-like—I don’t know what exactly—she wrote it down for him.”
“That’s all very well. But more money is essential. No money—no results!”
He retreated hastily to a position on the main drive, and began in a deep roar, coupled with an unsteady gait, the following ditty:
Tuppence sped lightly down the stairs. A wild elation possessed her. A neighbouring clock showed the time to be five minutes to twelve.
“Not a word. I’m a bit of an ass, as you know. I ought to have got more out of them somehow.”
“You will tell me now—right here—where she is to be found.”
