Practice and improve writing style. Write like Agatha Christie
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“Because the Count de la Rochefour has left the Ritz? You go too fast, my friend.”
“It was of the most simple.” Poirot waved a deprecating hand, then helped himself to more caviare. It is not every day that one lunches with a millionaire.
“‘A sensational discovery was made last night. A young naval officer returning to Plymouth found under the seat of his compartment, the body of a woman, stabbed through the heart. The officer at once pulled the communication-cord, and the train was brought to a standstill. The woman who was about thirty years of age, and richly dressed, has not yet been identified.’
“‘Yes, yes. Don’t leave the station. I shall return by a later train. I don’t know when. It mayn’t be until quite late.’
At last he roused himself, and opening the suitcase, took out some papers and magazines, then closed the suitcase again and endeavored to shove it under the opposite seat—without success. Some hidden obstacle resisted it. He shoved harder with rising impatience, but it still stuck out halfway into the carriage.
“Yes, yes, too conclusive,” continued Poirot, almost to himself. “Real evidence is usually vague and unsatisfactory. It has to be examined—sifted. But here the whole thing is cut and dried. No, my friend, this evidence has been very cleverly manufactured—so cleverly that it has defeated its own ends.”
“I will some day, if you ask me,” she promised him, smiling.
“What?” “Impossible!” broke simultaneously from both men.
“A woman’s happiness, mon ami,” he said gravely.
Poirot was sitting by the table, his head buried in his hands. He sprang up at my entrance.
“What was this man like who called to see Mr. Pace?”
“He seemed rather annoyed, but went off at once. It was about five minutes later that I heard the sound of raised voices. I ran out into the hall, and almost collided with Mrs. Middleton. Then we heard the shot. The gun-room door was locked on the inside, and we had to go round the house to the window. Of course that took some time, and the murderer had been able to get well away. My poor uncle”—her voice faltered—“had been shot through the head. I saw at once that he was dead, and I sent Mrs. Middleton for the police straight away. I was careful to touch nothing in the room but to leave it exactly as I found it.”
Mrs. Havering did not keep me waiting long. In a few minutes I heard a light step descending the stairs, and looked up to see a very handsome young woman coming toward me. She wore a flame-colored jumper, that set off the slender boyishness of her figure. On her dark head was a little hat of flame-colored leather. Even the present tragedy could not dim the vitality of her personality.
“Ex-actly,” said Japp soothingly. “But there are just one or two little points I’d like your opinion about all the same. Captain Hastings, here, he knows me, and he’ll go on up to the house and tell them you’re coming.”
“It is true that we are not likely to cover ourselves with glory over it.”
