Practice and improve writing style. Write like Agatha Christie
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
It was more than I was, but the woman turned to Poirot like a flash.
But a sort of terror was gaining on us all. The parlourmaid was obviously unstrung, and when the meal was over Mrs. Maltravers besought Poirot not to go at once. She was clearly terrified to be left alone. We sat in the little morning-room. The wind was getting up, and moaning round the house in an eerie fashion. Twice the door of the room came unlatched and the door slowly opened, and each time she clung to me with a terrified gasp.
“Be seated, signor. You received my note. I am determined to get to the bottom of this mystery. In some small measure you can aid me. Let us commence. You—in company with a friend—visited the late Count Foscatini on the morning of Tuesday the 9th——”
“You old sinner! I thought you were working up to something exciting.”
One evening after dinner—I will not particularize the date; it suffices to say that it was at the time when “Peace by negotiation” was the parrot-cry of England’s enemies—my friend and I were sitting in his rooms. After being invalided out of the Army I had been given a recruiting job, and it had become my custom to drop in on Poirot in the evenings after dinner and talk with him of any cases of interest that he might have on hand.
“Captain Hastings? You are M. Poirot’s partner, I understand. It is imperative that he should come with me to Derbyshire today.”
“Yes, yes,” my little friend continued. “Once more shall I be myself again, the great Hercule Poirot, the terror of evildoers! Figure to yourself, mon ami, that I have a little paragraph to myself in Society Gossip. But yes! Here it is!
“My God, yes! My uncle, the best friend I have in the world, was foully murdered last night.”
But it was too late. Mrs. Middleton, that quiet, middle-aged woman, who had appeared so normal and respectable, had vanished into thin air. Her box had been left behind. It contained only ordinary wearing apparel. There was no clue in it to her identity, or as to her whereabouts.
His face, however, was haggard, and he was evidently laboring under great agitation.
The lawyer looked at him deliberately for a minute or two.
That evening he and Albert once more penetrated the grounds of Astley Priors. Tommy’s ambition was somehow or other to gain admission to the house itself. As they approached cautiously, Tommy gave a sudden gasp.
He ushered them into a room at the back of the house, furnished as a library. The collection of books was a magnificent one, and Tuppence noticed that all one wall was devoted to works on crime and criminology. There were several deep-padded leather arm-chairs, and an old-fashioned open hearth. In the window was a big roll-top desk strewn with papers at which the master of the house was sitting.
Tommy assented brazenly. After listening to the porter’s meticulous but perplexing directions, they prepared to leave the station. It was beginning to rain, and they turned up the collars of their coats as they trudged through the slush of the road. Suddenly Tommy halted.
“Oh, unbelieving one!” Tuppence wrenched open her bag. “Look here, and here, and here!”
