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Practice and improve writing style. Write like Agatha Christie
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
The clerk followed his discreet knock into the room, and laid a paper at his master’s elbow.
He was lying on a couch in the room in which the meeting had been held. On one side of him was the German, on the other the villainous-faced doorkeeper who had let him in. The others were grouped together at a little distance away. But Tommy missed one face. The man known as Number One was no longer of the company.
“Turn the car first, George. Then ring the bell, and get back to your place. Keep the engine going, and be ready to scoot like hell when I give the word.”
At any rate, she decided, it would do no harm just to go and look at the building. Perhaps, then, she could resign herself to waiting patiently for ten o’clock.
They reached at length a small dilapidated square. The houses there had a sinister air in the midst of their dirt and decay. Boris looked round, and Tommy drew back into the shelter of a friendly porch. The place was almost deserted. It was a cul-de-sac, and consequently no traffic passed that way. The stealthy way the other had looked round stimulated Tommy’s imagination. From the shelter of the doorway he watched him go up the steps of a particularly evil-looking house and rap sharply, with a peculiar rhythm, on the door. It was opened promptly, he said a word or two to the doorkeeper, then passed inside. The door was shut to again.
“Pardon me,” interrupted Alfred Inglethorp, “you have been misinformed. I had no quarrel with my dear wife. The whole story is absolutely untrue. I was absent from the house the entire afternoon.”
An assistant from Parkson’s, Theatrical Costumiers, testified that on June 29th, they had supplied a black beard to Mr. L. Cavendish, as requested. It was ordered by letter, and a postal order was enclosed. No, they had not kept the letter. All transactions were entered in their books. They had sent the beard, as directed, to “L. Cavendish, Esq., Styles Court.”
“Yes,” I said, “Alfred Inglethorp, without doubt.”
“I’m sure I shall be only too delighted to make myself useful,” I responded.
“When you finally left the room, did Mrs. Inglethorp bolt the door after you?”
Shortly after one o’clock on January 8th, a well-dressed woman with a slight foreign accent had entered the offices of Messrs. Butler and Park, house-agents, in Knightsbridge. She explained that she wanted to rent or purchase a house on the Thames within easy reach of London. The particulars of several were given to her, including those of the Mill House. She gave the name of Mrs. de Castina and her address as the Ritz, but there proved to be no one of that name staying there, and the hotel people failed to identify the body.
By some miracle or other I had not been killed. I was bruised and aching and very weak, but I was alive. But where was I? Moving my head with difficulty I looked round me. I was in a small room with rough wooden walls. On them were hung skins of animals and various tusks of ivory. I was lying on a kind of rough couch, also covered with skins, and my left arm was bandaged up and felt stiff and uncomfortable. At first I thought I was alone, and then I saw a man’s figure sitting between me and the light, his head turned toward the window. He was so still that he might have been carved out of wood. Something in the close-cropped black head was familiar to me, but I did not dare to let my imagination run astray. Suddenly he turned, and I caught my breath. It was Harry Rayburn. Harry Rayburn in the flesh.
“Well, what of it? Has the stationery trunk jammed in the doorway?”
I could keep you here for months and no one would ever know! How some words please one!
I was debating all this when Sir Eustace Pedler passed down the deck. Just as he was abreast of Mr. Chichester, he stooped and picked up a piece of paper which he handed to him, remarking “You’ve dropped something.”