Practice and improve writing style. Write like Agatha Christie
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
CHAPTER XXXII (Anne’s Narrative Resumed) I had great trouble with Suzanne. She argued, she pleaded, she even wept before she would let me carry out my plan. But in the end I got my own way. She promised to carry out my instructions to the letter and came down to the station to bid me a tearful farewell.
We walked from the train to the hotel, a big white building closely wired against mosquitoes. There were no roads, no houses. We went out on the stoep and I uttered a gasp. There, half a mile away, facing us, were the Falls. I’ve never seen anything so grand and beautiful—I never shall.
The deceased had been identified as L. B. Carton. Nothing had been found in his pockets except a house-agent’s order to view a house on the river near Marlow. It was in the name of L. B. Carton, Russell Hotel. The bureau clerk from the hotel identified the man as having arrived the day before and booked a room under that name. He had registered as L. B. Carton, Kimberley, S. Africa. He had evidently come straight off the steamer.
“Doubtless, now that he has—retired, he will marry. Some young society beauty, who will disperse his millions faster than he acquired them.”
“I do—and I don’t. He repels me and at the same time fascinates me; but I know one thing, I’m always a little afraid of him.”
“Then you really think there is a chance of it being stolen?” I asked eagerly.
“Do not confuse and fluster yourself, Hastings. We are not going to do anything at present.”
“My excuses! I sent that wire, and hired the gentleman in question.”
“First I’ve heard of it. Mr. Graves—that’s Count Foscatini’s man—went out about half an hour ago, and he said nothing.”
“In his haste it caught in the door,” I explained. “Come, hurry. He cannot have gone far as yet.”
We went slowly down the stairs. I was violently excited. I have a certain talent for deduction, and Dr. Bauerstein’s manner had started a flock of wild surmises in my mind. Mary Cavendish laid her hand upon my arm.
“I did not know it. It was a guess that turned out to be correct. You observed that it had a piece of twisted wire through the handle. That suggested to me at once that it had possibly been wrenched off a flimsy key-ring. Now, if it had been lost and recovered, Mrs. Inglethorp would at once have replaced it on her bunch; but on her bunch I found what was obviously the duplicate key, very new and bright, which led me to the hypothesis that somebody else had inserted the original key in the lock of the despatch-case.”
Every eye turned simultaneously to where Alfred Inglethorp was sitting, impassive and wooden. He started slightly, as the damning words fell from the young man’s lips. I half thought he was going to rise from his chair, but he remained seated, although a remarkably well acted expression of astonishment rose on his face.
In spite of myself, my heart gave a leap of relief. Evidently there was a likelihood of John Cavendish being acquitted.
“Well,” he said at last, “let us go, mon ami.”
