Practice and improve writing style. Write like Agatha Christie
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“Certainly not.” The doctor became quite apoplectic. “The cause of death was clear, and in my profession we see no need to distress unduly the relatives of a dead patient.”
“One higher than the Préfet. One whose word was once law in Belgium—and shall be again! That England has sworn!”
Pulling on the rope, we descended slowly till we reached the second floor. Poirot uttered an exclamation of satisfaction as he perceived that the wooden door into the scullery was open.
“I got some news from my lawyers that detained me,” explained the young man. “My old uncle in Scotland died unexpectedly and left me some money. Under the circumstances I thought it better to cancel my passage. Then I saw this bad news in the paper and I came down to see if there was anything I could do. You’ll want some one to look after things for you a bit perhaps.”
“He’s not a Jap,” I ejaculated in a whisper to Poirot.
“I did him a little service in the past—an affair of bearer bonds. And once, when I was in Paris for a royal visit, I had Mademoiselle Flossie pointed out to me. La jolie petite pensionnaire! She had the jolie dot too! It caused trouble. She nearly made a bad affair.”
“Précisément! —Thank you, mademoiselle.” The maid left the room.
Poirot smiled modestly, and murmured to me: “The good Japp, he shall get the official credit, all right, but though he has got his Gracie Kidd, I think that I, as the Americans say, have got his goat!”
“But I found another bit of news when I got back. They’re passing the jewels, all right! That large emerald was pawned last night—by one of the regular lot. Who do you think it was?”
Japp was an old friend of ours, and greeted Poirot with a sort of affectionate contempt.
Though slightly surprised at the request, Mrs. Renauld held them out to him. Round each of them was a cruel red mark where the cords had bitten into the flesh. As he examined them, I fancied that a momentary flicker of excitement I had seen in his eyes disappeared.
I slipped into my seat, and remarked idly, in answer to Poirot’s greeting, that an hour’s sea passage from Calais to Dover could hardly be dignified by the epithet “terrible.”
11Jack Renauld What the next development of the conversation would have been, I cannot say, for at that moment the door was thrown violently open, and a tall young man strode into the room.
Unceremoniously he tumbled out the things on the floor, mostly ties and handkerchiefs. Suddenly with a cry of triumph Poirot pounced on something, a small square cardboard, evidently a photograph. Thrusting it into his pocket, he returned the things pell-mell to the drawer, and seizing me by the arm dragged me out of the room and down the stairs. In the hall stood Giraud, contemplating his prisoner.
“It is a strange wound, this! It has not bled. There is no stain on the clothes. The blade of the dagger is slightly discoloured, that is all. What do you think, M. le docteur?”
