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Practice and improve writing style. Write like Agatha Christie
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
I rushed upstairs, and in few brief words acquainted Poirot with the situation. He took any further words out of my mouth.
It was about three o’clock when we arrived at the little station of Elmer’s Dale. From there a five-mile drive brought us to a small gray stone building in the midst of the rugged moors.
“Two days ago my uncle, rather wearied with some recent gayeties of ours in town, suggested that we should run down to Derbyshire for a day or two. My wife telegraphed to Mrs. Middleton, the housekeeper, and we went down that same afternoon. Yesterday evening I was forced to return to town, but my wife and my uncle remained on. This morning I received this telegram.”
“Would it interest you, Hastings, to go down and hear what our visitor’s particular trouble is? Make him all my excuses.”
“Well—I presume to admit her confederate, the black-bearded man.”
Poirot hopped briskly to his feet. “I have not been of much use, I fear,” he said regretfully. “Is it permitted to see Madame?”
“Exactly. Now what was the talk about at dinner on Tuesday night?”
“Let us look at the case with method. What have we for and against these two men? Take O’Murphy first. Against: that his conduct in leaving the main road was suspicious; that he is an Irishman from County Clare; that he has disappeared in a highly suggestive manner. For: that his promptness in restarting the car saved the Premier’s life; that he is a Scotland Yard man, and, obviously, from the post allotted to him, a trusted detective. Now for Daniels. There is not much against him, except the fact that nothing is known of his antecedents, and that he speaks too many languages for a good Englishman! (Pardon me, mon ami, but, as linguists, you are deplorable!) Now for him, we have the fact that he was found gagged, bound, and chloroformed—which does not look as though he had anything to do with the matter.”
“Ah! Sacré!” cried Poirot. “Is it that you expect her to promenade herself in the streets of London in a cowboy hat, or with bare feet, and a bunch of curls, as an Irish colleen? Always with you it is the non-essentials! Remember the case of the dancer, Valerie Saintclair.”
“Évidemment! since she renders you incapable of replying to my question. Describe her to me, then.”
“There is such a thing as the individual touch.” Poirot suddenly assumed his lecturing manner, and addressed us collectively. “I am speaking to you now of the psychology of crime. M. Giraud knows quite well that each criminal has his particular method, and that the police, when called in to investigate—say a case of burglary—can often make a shrewd guess at the offender, simply by the peculiar method he has employed. (Japp would tell you the same, Hastings.) Man is an unoriginal animal. Unoriginal within the law in his daily respectable life, equally unoriginal outside the law. If a man commits a crime, any other crime he commits will resemble it closely. The English murderer who disposed of his wives in succession by drowning them in their baths was a case in point. Had he varied his methods, he might have escaped detection to this day. But he obeyed the common dictates of human nature, arguing that what had once succeeded would succeed again, and he paid the penalty of his lack of originality.”
Mr. Aarons studied it for a moment, then his face lighted.
“Much better. He is still at the Villa Marguerite. But Madame Daubreuil has disappeared. The police are looking for her.”
The commissary left the room. Stonor crossed to Jack, and wrung him by the hand. Poirot had risen and was adjusting a pair of candlesticks that struck his trained eye as being a shade askew. The magistrate was reading the mysterious love-letter through a last time, clinging desperately to his first theory of jealousy and a stab in the back.
“It does gain,” she admitted, “but I’ve never known it to gain quite so much as that.”