Practice and improve writing style. Write like Agatha Christie
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“Because if Ridgeway merely opens the packet and finds it a dummy, suspicion flies at once to London. No, the man on board in the cabin next door does his work, pretends to force the lock in an obvious manner so as to draw immediate attention to the theft, really unlocks the trunk with a duplicate key, throws the package overboard and waits until the last to leave the boat. Naturally he wears glasses to conceal his eyes, and is an invalid since he does not want to run the risk of meeting Ridgeway. He steps ashore in New York and returns by the first boat available.”
“Well, we had only been married a little over a year. But, as to why he insured his life, it was because he had absolutely made up his mind that he would not live long. He had a strong premonition of his own death. I gather that he had had one hæmorrhage already, and that he knew that another one would prove fatal. I tried to dispel these gloomy fears of his, but without avail. Alas, he was only too right!”
A very few minutes sufficed to give us the facts. Mr. Rolf had gone out of the hotel at 11.15. At 11.30, a gentleman, so like him in appearance as to pass muster, entered the hotel and demanded the jewel-case from the safe deposit. He duly signed the receipt, remarking carelessly as he did so: “Looks a bit different from my ordinary one, but I hurt my hand getting out of the taxi.” The clerk merely smiled and remarked that he saw very little difference. Rolf laughed and said: “Well, don’t run me in as a crook this time, anyway. I’ve been getting threatening letters from a Chinaman, and the worst of it is I look rather like a Chink myself—it’s something about the eyes.”
“Certainly.” The young soldier looked at him curiously and wiped his brow as he got up.
“Youse sure o’ dat, eh?” said the Italian, leering unpleasantly.
“Did he speak of any secret that he had acquired whilst sojourning there?”
Poirot was with me when I read it. The sheets fell from my hand, and I looked across at him.
She faced him squarely, and used the words I had heard her say in her mother’s drawing-room.
“True,” said Poirot, evidently crestfallen. “So you think these footprints are of no importance?”
“And that is all!” cut in Poirot. “There was no mention of any name to show to whom the letter was addressed. We assumed it was to the dead man because it was in the pocket of his overcoat. Now, mon ami, something about that overcoat struck me as unusual. I measured it, and made the remark that he wore his overcoat very long. That remark should have given you to think.”
“It’s incredible,” I murmured, fascinated. “And yet—”
I wired the latest development to Poirot, and suggested returning to London and making inquiries at Selbourne’s Agency. Poirot’s reply was prompt:
“Turned away for a moment,” remarked Japp, “and the other fellow snatched up a revolver and shot him. The one Mrs. Havering handed over to us was fully loaded, and I suppose the other one was also. Curious what darn fool things people do. Fancy keeping two loaded revolvers hanging up on your wall!”
“What was this man like who called to see Mr. Pace?”
“Yes, yes,” my little friend continued. “Once more shall I be myself again, the great Hercule Poirot, the terror of evildoers! Figure to yourself, mon ami, that I have a little paragraph to myself in Society Gossip. But yes! Here it is!
