Practice and improve writing style. Write like Abraham Bram Stoker
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
The room was empty but on the table which was laid for dinner for three was a note in Marjorys hand directed to me. With a sinking of the heart I opened it, and stood for a few minutes amazed. It had no apostrophe and ran as follows:
Im afraid we must be going back now. We have a long way to drive; and it will be quite late enough anyhow.
After breakfast she sat in the window with Mrs. Jack,[313] and I went to the fireplace to light a cigarette. I stood with my back to the fire and looked over at Marjory; it was always a joy to me when she was in my sight. Presently she said to Mrs. Jack:
Before I left Adams, I told him that I would come back on the to-morrow evening. I went to bed early in the Palace hotel, as I wanted to catch the first train back to Cruden.
Easy to see the marks; the floor is deep in dust, and the walls are thick with it. On floor, mark of several feetconfused in struggle, may articulate separately later onone womansalso trailing of long skirt. On walls marks of hands, fingers outspread, as if trying to grasp. Some of the long marks down the wall others across. The speaker here raised his lamp and held it in the opening as far as his arm would go; then he went on:
“Thanks, and thanks, and thanks again for your sweet letter. It was so nice to be able to tell you and to have your sympathy.
“Here, there is one thing which is different from all recorded; here is some dual life that is not as the common. She was bitten by the vampire when she was in a trance, sleep-walking—oh, you start; you do not know that, friend John, but you shall know it all later—and in trance could he best come to take more blood. In trance she died, and in trance she is Un-Dead, too. So it is that she differ from all other. Usually when the Un-Dead sleep at home”—as he spoke he made a comprehensive sweep of his arm to designate what to a vampire was “home”—“their face show what they are, but this so sweet that was when she not Un-Dead she go back to the nothings of the common dead. There is no malign there, see, and so it make hard that I must kill her in her sleep.” This turned my blood cold, and it began to dawn upon me that I was accepting Van Helsing’s theories; but if she were really dead, what was there of terror in the idea of killing her? He looked up at me, and evidently saw the change in my face, for he said almost joyously:—
I have given the letters; I threw them through the bars of my window with a gold piece, and made what signs I could to have them posted. The man who took them pressed them to his heart and bowed, and then put them in his cap. I could do no more. I stole back to the study, and began to read. As the Count did not come in, I have written here....
Each in turn, we took his hand, and the promise was made. Then said the Professor as we moved off:—
“Oh no! I have a husband of my own, to whom I was married before I ever saw Dr. Seward, or he me. I am Mrs. Harker.”
Mr. Trelawny’s answer simply overwhelmed me with surprise. It manifested to me that he too had gone through just such a process of thought as my own.
It was a relief to us all when Doctor Winchester came in, breathless with running. He only asked one question:
“But there was a thrill to us which came not to Van Huyn!
“The symbolisation seems to mean that during the passing of the Sun from West to East—from sunset to sunrise, or through the Under World, otherwise night—the Heart, which is material even in the tomb and cannot leave it, simply revolves, so that it can always rest on ‘Ra’ the Sun-God, the origin of all good; but that the Double, which represents the active principle, goes whither it will, the same by night as by day. If this be correct it is a warning—a caution—a reminder that the consciousness of the mummy does not rest but is to be reckoned with.
“Sit down a minute; it is better that we speak now than later. We are both men, and men of the world. All this about my daughter is very new to me, and very sudden; and I want to know exactly how and where I stand. Mind, I am making no objection; but as a father I have duties which are grave, and may prove to be painful. I—I”—he seemed slightly at a loss how to begin, and this gave me hope—“I suppose I am to take it, from what you have said to me of your feelings towards my girl, that it is in your mind to be a suitor for her hand, later on?” I answered at once:
