Practice and improve writing style. Write like Abraham Bram Stoker
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Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
That has done me good. Well, some day Jonathan will tell me all; and lest it should ever be that he should think for a moment that I kept anything from him, I still keep my journal as usual. Then if he has feared of my trust I shall show it to him, with every thought of my heart put down for his dear eyes to read. I feel strangely sad and low-spirited to-day. I suppose it is the reaction from the terrible excitement.
I could not but see how right he was and the terrible despair of Mina’s face became relaxed a thought; there was hope in such good counsel. Van Helsing went on:—
But at that instant, another sensation swept through me as quick as lightning. I was conscious of the presence of the Count, and of his being as if lapped in a storm of fury. As my eyes opened involuntarily I saw his strong hand grasp the slender neck of the fair woman and with giant’s power draw it back, the blue eyes transformed with fury, the white teeth champing with rage, and the fair cheeks blazing red with passion. But the Count! Never did I imagine such wrath and fury, even to the demons of the pit. His eyes were positively blazing. The red light in them was lurid, as if the flames of hell-fire blazed behind them. His face was deathly pale, and the lines of it were hard like drawn wires; the thick eyebrows that met over the nose now seemed like a heaving bar of white-hot metal. With a fierce sweep of his arm, he hurled the woman from him, and then motioned to the others, as though he were beating them back; it was the same imperious gesture that I had seen used to the wolves. In a voice which, though low and almost in a whisper seemed to cut through the air and then ring round the room he said:—
Every scrap of paper was gone, and with it all my notes, my memoranda, relating to railways and travel, my letter of credit, in fact all that might be useful to me were I once outside the castle. I sat and pondered awhile, and then some thought occurred to me, and I made search of my portmanteau and in the wardrobe where I had placed my clothes.
“It may be that you may have to bear that mark till God himself see fit, as He most surely shall, on the Judgment Day, to redress all wrongs of the earth and of His children that He has placed thereon. And oh, Madam Mina, my dear, my dear, may we who love you be there to see, when that red scar, the sign of God’s knowledge of what has been, shall pass away, and leave your forehead as pure as the heart we know. For so surely as we live, that scar shall pass away when God sees right to lift the burden that is hard upon us. Till then we bear our Cross, as His Son did in obedience to His Will. It may be that we are chosen instruments of His good pleasure, and that we ascend to His bidding as that other through stripes and shame; through tears and blood; through doubts and fears, and all that makes the difference between God and man.”
As she was speaking her life seemed slowly ebbing away. I could feel it, and I knew it in many ways. As I took her hand in mine, a glad smile was on her face, together with a look of eager curiosity. This was the last thing I saw in the dim light, as my hand covered her filming eyes.
A lady! in peril! Say on Senor! There was such hope and purpose in his quick tone that my heart instinctively leaped as I went on:
On my return to Spain I visited the ship yard at San Lucar, where already the building of the San Cristobal was in progress. I arranged in private with the master builder that there should be constructed in the centre of the galleon a secret chamber, well encased round with teak wood from the Indies, and with enforcement of steel plates; and with a lock to the iron door, such as Pedro the Venetian hath already constructed for the treasure chest of the King. By my suggestion, and his wisdom in the doing of the matter, the secret chamber was so arranged in disposition, and so masked in with garniture of seeming unimportance, that none, unless of the informed, might tell its presence, or indeed of its very existence. It was placed as though in a well of teak wood and steel, hemmed in on all sides; without entrance whatever from the lower parts, and only approachable from the top which lay under my own cabin, down deep in the centre of the galleon. Men in single and detachments, were brought from other ship yards for the doing of this work, and all so disposed in Port that none might have greater knowledge than of that item which he completed at the time. Save only those few of the guilds whose faith had long been made manifest by their rectitude of life and their discretion of silence.
For many hours I laboured at this work, and finally when I had reduced the Baconian five symbols to three I felt that I had accomplished all that was possible in that way.[2]
CHAPTER XVI REVELATIONS In the hall I met together two men whom I knew well. The first was Adams of the American Embassy in London; the second Cathcart of the British Embassy at Washington, now on leave. I had not seen either for two years, and it was with mutual pleasure that we met. After our preliminary handshaking, and the inevitable drink at the Americans request, Adams slapped me on the shoulder and said heartily:
When all the goods were loaded at the station, the whole of the workmen went on to the train; this took also some of the stone-wagons used for carrying the cases with the great sarcophagi. Ordinary carts and plenty of horses were to be found at Westerton, which was our station for Kyllion. Mr. Trelawny had ordered a sleeping-carriage for our party; as soon as the train had started we all turned into our cubicles.
“I waked out of sleep with the light of the morning sun on my face. I sat up and looked around me. The fire was out, and the camp was desolate; save for one figure which lay prone close to me. It was that of the Arab chief, who lay on his back, dead. His face was almost black; and his eyes were open, and staring horribly up at the sky, as though he saw there some dreadful vision. He had evidently been strangled; for on looking, I found on his throat the red marks where fingers had pressed. There seemed so many of these marks that I counted them. There were seven; and all parallel, except the thumb mark, as though made with one hand. This thrilled me as I thought of the mummy hand with the seven fingers.
“The Nurse tells me that Silvio was asleep on Nurse Kennedy’s bed ever since you went to your Father’s room until a while ago. He came there just after you had gone to master’s room. Nurse says that Nurse Kennedy is moaning and muttering in her sleep as though she had a nightmare. I think we should send for Dr. Winchester.”
“The end of the wrist was covered with dried blood! It was as though the body had bled after death! The jagged ends of the broken wrist were rough with the clotted blood; through this the white bone, sticking out, looked like the matrix of opal. The blood had streamed down and stained the brown wrappings as with rust. Here, then, was full confirmation of the narrative. With such evidence of the narrator’s truth before us, we could not doubt the other matters which he had told, such as the blood on the mummy hand, or marks of the seven fingers on the throat of the strangled Sheik.
For once the heart of her father did not respond to her feeling. He looked exultant, but with a grim masterfulness which reminded me of the set look of his stern face as he had lain in the trance. He did not offer any consolation to his daughter in her sympathetic pain. He only said:
