Practice and improve writing style. Write like Rudyard Kipling
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“That is your man,” he said, quickly. “I tell you he will never speak all you wish. That is rot-bosh. But he would be most good to make to see things. Suppose now we pretend that it was only play”—I had never seen Grish Chunder so excited—“and pour the ink-pool into his hand. Eh, what do you think? I tell you that he could see anything that a man could see. Let me get the ink and the camphor. He is a seer and he will tell us very many things.”
To cut a long story short, Dunnoo is now my personal servant on a gold mohur a month—a sum which I still think far too little for the services he has rendered. Nothing on earth will induce me to go near that devilish spot again, or to reveal its whereabouts more clearly than I have done. Of Gunga Dass I have never found a trace, nor do I wish to do. My sole motive in giving this to be published is the hope that some one may possibly identify, from the details and the inventory which I have given above, the corpse of the man in the olive-green hunting-suit.
“Oh that’s not poetry ‘t all. It’s some rot I wrote last night before I went to bed and it was too much bother to hunt for rhymes; so I made it a sort of a blank verse instead.”
“What? Where?” she asked. “I can’t see them anywhere.”
“Umph! Longfellow wrote that poem. I don’t care about writing things any more. I want to read.” He was thoroughly out of tune now, and raging over my own ill-luck, I left him.
They took him into the house, and a big man picked him up between his finger and thumb and said he was not dead but half choked. So they wrapped him in cotton wool, and warmed him over a little fire, and he opened his eyes and sneezed.
The Law of the Jungle, which never orders anything without a reason, forbids every beast to eat Man except when he is killing to show his children how to kill, and then he must hunt outside the hunting grounds of his pack or tribe. The real reason for this is that man-killing means, sooner or later, the arrival of white men on elephants, with guns, and hundreds of brown men with gongs and rockets and torches. Then everybody in the jungle suffers. The reason the beasts give among themselves is that Man is the weakest and most defenseless of all living things, and it is unsportsmanlike to touch him. They say too—and it is true—that man-eaters become mangy, and lose their teeth.
“Free People, and ye too, jackals of Shere Khan, for twelve seasons I have led ye to and from the kill, and in all that time not one has been trapped or maimed. Now I have missed my kill. Ye know how that plot was made. Ye know how ye brought me up to an untried buck to make my weakness known. It was cleverly done. Your right is to kill me here on the Council Rock, now. Therefore, I ask, who comes to make an end of the Lone Wolf? For it is my right, by the Law of the Jungle, that ye come one by one.”
“My head is ringing like a bee tree,” said a sullen little voice over their heads, and Mowgli slid down a tree trunk very angry and indignant, adding as he reached the ground: “I come for Bagheera and not for thee, fat old Baloo!”
The gun-bullocks got up to go. “Morning is coming,” they said. “We will go back to our lines. It is true that we only see out of our eyes, and we are not very clever. But still, we are the only people to-night who have not been afraid. Good-night, you brave people.”
Then Balkis—The Most Beautiful and Excellent Balkis—went forward through the red lilies into the shade of the camphor-tree and laid her hand upon Suleiman-bin-Daoud’s shoulder and said, ‘O my Lord and Treasure of my Soul, rejoice, for we have taught the Queens of Egypt and Ethiopia and Abyssinia and Persia and India and China with a great and a memorable teaching.’
The Butterfly was dreadfully frightened, but he managed to fly up to the hand of Suleiman-bin-Daoud, and clung there, fanning himself. Suleiman-bin-Daoud bent his head and whispered very softly, ‘Little man, you know that all your stamping wouldn’t bend one blade of grass. What made you tell that awful fib to your wife?—for doubtless she is your wife.’
‘Where are the bad people who speared you, my darling?’ said Teshumai Tewindrow.
Then said Baviaan, ‘The game has gone into other spots; and my advice to you, Leopard, is to go into other spots as soon as you can.’
So they went away and lived happily ever afterward, Best Beloved. That is all.